Feeling Fine

Title: Feeling Fine
Composer: Greg Smith
Instrumentation: Piano duet
Level: 1 (5 finger position)
Product medium: PDf score & MP3 accompaniment track

Feeling fine (Greg Smith) - Sample
(Audio sample of accompaniment track only)





Featured Content

Richter on Bach
“It does no harm to listen to Bach from time to time, even if only from a hygienic standpoint.” – Sviatoslav Richter, pianist Monsaingeon, Bruno (2001). Sviatoslav Richter: Notebooks and Conversations. Princeton University Press, p.196. Cited at: Wikipedia
Pavel Kolesnikov on historical instruments
For me, one of the ultimate goals of a performance is to make pieces come across as something new, something unexpected and fresh. As soon as you start working with historical instruments, you are jeopardising this aspect. It is very difficult to get away from that; some performers manage it magically, but I don’t see […]
Abstraction XII
Title: Abstraction XII Composer: Greg Smith Instrumentation: Piano Product medium: PDF score Sample:  
Concert band
You Are A Priest For Ever (Setting II) – Psalm 109 (110)
Title: You are a priest for ever (Setting ii) Text: Psalm 109 (110): 1, 2, 3, 4 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Dance of the Sugar-Plum Fairy
One of the most magical passages in Tchaikovsky’s The Nutcracker is the Dance of the Sugar-Plum Fairy. The featured instrument, the celeste, was a relatively new invention, having only been developed by a Parisian harmonium builder, Auguste Mustel, in 1886. The French word “céleste” translates to “heavenly”. Tchaikovsky first discovered the celeste while visiting Paris […]
The shelf life of popular art
“The fact is popular art dates. It grows quaint. How many people feel strongly about Gilbert and Sullivan today compared to those who felt strongly in 1890?” – Stephen Sondheim, composer. Cited at: QuotationsBook
Numbering of psalms. Different translations of the psalms have been used. For consistency, the psalms are labelled by the Hebrew numbering first, followed by the Greek number in parenthesis.
The framework of a symphony
The framework of a symphony must be so strong that it forces you to follow it regardless of the environment and circumstances: [it is] an “ethical necessity”. Jean Sibelius, to Jussi Jalas, 1 October 1939 Cited at: www.sibelius.fi [accessed 31 Mar 2010].
Stokowski playing Bach on the organ
Stewart Warkov, assistant manager of the Symphony of The Air in 1961 described Stokowski playing Bach on the organ: Stokowski played Bach on the organ for me, each time one of the great pieces he had arranged. The sound, the phrasing, and the registration, the ritards and the accelerandos, gave me the impression of hearing […]