Who needs four strings anyway?In his work Le Streghe (The Witches), the virtuoso violinist Paganini would use scissors to reduce the number of strings on his violin throughout the piece, until he would be left playing the work on just the G string. Source: Haylock, Julian, “Nicolo Paganini”, Classic FM, December 2009, p. 41.
Without music“Without music, life would be a mistake.” — Friedrich Nietzsche, in Twilight of the Idols
Beethoven in codeThe first four notes of Beethoven’s Fifth Symphony are the morse code for the letter V.
An unknown piece by BrahmsAn undiscovered piano piece by Brahms (entitled Albumblatt, meaning “sheet music from an album”) has been discovered by Christopher Hogwood at Princeton University. The tune reappears in second movement of Brahms’ Horn Trio, written 12 years later. Alex Needham, “Brahms piano piece to get its premiere 159 years after its creation”, The Guardian, 13 January […]
The significance of the individual “You are an extremely valuable, worthwhile, significant person even though your present circumstances may have you feeling otherwise.” – James Newmann, American mathematician
Hans Zimmer on writing pop songsAsk him to write a song, though, and he’ll likely turn you down on the basis that he has a problem with “any form of authority, and the authority that is put upon you of writing a song”. “Verse, chorus, verse, chorus, middle eight…” he says. “It’s always the same bloody structure. I end up […]
Bernstein on immersive performanceIt happens because you identify so completely with the composer, you’ve studied him so intently, that it’s as though you’ve written the piece yourself. You completely forget who you are or where you are and you write the piece write there. You just make it up as though you never heard it before. Because you […]
Baudelaire on inspiration“Inspiration is merely the reward for working every day!” – Charles Baudelaire (French poet). According to Roland-Manuel, Ravel would often recite this phrase. Source: Nichols, Roger (1987) Ravel Remembered. London: Faber & Faber, p. 143.
Warmed pianosThere was soon to be no excuse for not practising in the chill of the winter. This excerpt is from The Musical Times, April 1869: WARMED PIANOS (G. Price’s Patent) – These Instruments invite playing in Winter, when the coldness of the keys of all others makes it unnecessarily uncomfortable, if not painful, to many, […]
Music: the product of feeling and knowledgeMusic is at once the product of feeling and knowledge, for it requires from its disciples, composers and performers alike, not only talent and enthusiasm, but also that knowledge and perception which are the result of protracted study and reflection. Hector Berlioz, A Travers Chants. Cited in I. Lipsius, Thoughts of Great Musicians, London, Augener, […]