Transformation of art

“Art does not progress – it transforms itself.”
– François-Joseph Fétes

Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 191.


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Dance of the Knights (Prokofiev)
Title: “Dance of the Knights” from Romeo and Juliet (op. 64)Composer: Sergei ProkofievArranger: Greg SmithInstrumentation: Cello and pianoProduct medium: PDF score and part This item is available at Sheet Music Direct and Sheet Music Plus. Sample:  
Abstraction X
Title: Abstraction XComposer: Greg SmithPerformer: Greg Smith (7 August 2010)Instrumentation: PianoProduct medium: MP3Related products:– Abstraction X (PDF score)
Brahms on Schubert
My love for Schubert is a very serious one, probably because it is no fleeting fancy. Where is genius like his, which soars heavenwards so boldly and surely, where we see the few supreme ones enthroned. He is to me like a son of the gods, playing with Jupiter’s thunder, and also occasionally handling it […]
Music stirred him
“Music had stirred him like that.  Music had troubled him many times.  But music was not articulate.  It was not a new world, but rather another chaos, that it created in us.” – Oscar Wilde, The Picture of Dorian Grey.
The creative person
The thing that makes a creative person is to be creative and that is all that there is to it. — Edward Albee, American playwright  Kolin, Philip (ed.) (1988) Conversations with Albee.  Jackson: University Press of Mississippi, p.35.
From the heart
“What comes from the heart, goes to the heart.” — Samuel Coleridge Taylor, English poet, critic and philosopher. Coleridge, Samuel (1856) Seven Lectures on Shakespeare and Milton. London: Chapman and Hall, page xlv
Loneliness versus solitude
“Language has created the word loneliness to express the pain of being alone, and the word solitude to express the glory of being alone.” – Paul Johannes Tillich, German American theologian and philosopher
Review of Pablo Casals
A Review written in El Alcance of the cellist Pablo Cassals: His bow, sometimes sweet as a voice from heaven, at other times vibrant and robust, produces such a sonorous combination of voices and tones that it seems that the body of his violincello is the magic secret of sublime harmonies capriciously transformed at the […]
Copland on film music
American composer Aaron Copland on the role of film music: I was very fascinated by the medium because a composer can be a real help in the making of a film. The way you can prove that, of course, is to see a film before the public has seen it, in the studio room, and […]
The ideal and the played performance
Some conductors put all the emphasis on the melodic line, while others are fanatics about rhythm, but there are very few conductors who are uniquely able to look at the score and hear every part before it actually happens. With the very best of conductors, it’s as though there are two performances going on simultaneously. […]