“I do think audiences become more sophisticated. You try something out on them and they say, “Ugh”. You try it a second time and they say, “Oh”. You try it a third time and they say, “Ooh”. You try it a fourth time and they say, “Oh, that’s awfully old hat.”’ He laughs. ‘That’s the […]

“Anxiety is the handmaiden of creativity”. — Chuck Jones, animator Goleman, D., Kaufman, P., & Ray, M. (1993) The Creative Spirit. New York: Plume.

Title: The precepts of the Lord give joy to my heart Text: Psalm 18 (19): 8-11. R. c. Jn 6:68 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:    

Title: Fill us with your love, O Lord Text: Psalm 89 (90): 12-17. R. v.14 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part SAMPLE: .

Title: The Lord gave them bread from heaven Text: Psalm 77 (78):3-4. 23-25. 54 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and parts Sample:

Mozart’s sense of mischief is evident in his behaviour at a performance of The Magic Flute.  Thisis from a letter to his wife Oct 8 & 9 1791: … (1) had a box [in the theatre] this evening and applauded everything vigorously; but He, that Know-it-all, proved to be a real Bavarian; I couldn’t stay […]

Liszt on Beethoven’s music, in a letter to Wilhelm von Lenz in 1852: To us musicians the work of Beethoven parallels the pillars of smoke and fire which led the Israelites through the desert, a pillar of smoke to lead us by day, and a pillar of fire to light the night, so that we […]

You know what I think about metronome marks: they’re right for a single bar, like “roses, with a morning life”. Only there are “those” who don’t hear music and who take these marks as authority to hear it still less! But do what you please. — Debussy, Letter to Jacques Durand of 9 October 1915 […]

“When you’re young, you can be taken with the impulse of the moment and the beauty of a phrase, but the older you get, the more you see that the phrase is only beautiful because of the context within which it works.  The melody is only the outward manifestation of something quite deep inside and […]

Stewart Warkov, assistant manager of the Symphony of The Air in 1961 described Stokowski playing Bach on the organ: Stokowski played Bach on the organ for me, each time one of the great pieces he had arranged. The sound, the phrasing, and the registration, the ritards and the accelerandos, gave me the impression of hearing […]