Music is a moral law. It gives soul to the universe, wings to the mind, flight to the imagination, and charm and gaiety to life and to everything. – Plato

Beethoven was a musician for the Electoral court and chapel in Bonn. Franz Wegeler, a friend of of Beethoven’s, recounted an incident where the young Beethoven was to accompany a singer, Ferdinand Heller, in a church service. Heller prided himself on being able to sing in tune, no matter how complicated the accompaniment. Beethoven asked Heller if he […]

“Enthusiasm is the greatest asset in the world. It beats money, power and influence.” Henry Chester

Sondheim is a lover of games, and collects antique ones (many were destroyed in a fire that swept through the lower floors of the house in 1995). He has a passion for murder mysteries, puzzles (he once spent 18 months devising cryptic crosswords for New York magazine), word play and anagrams. His own name, he […]

“If you would hit the mark, you must aim a little above it; Every arrow that flies feels the attraction of earth.” Henry Wadsworth Longfellow (1807-1882), American poet.

“Most music is metaphor, but Wolff is not. I am not metaphor either. Parable, maybe. Cage is sermon.” – Morton Feldman, American composer Cited in Tom Johnson, Remembrance, September 1987. Accessed 11 May 2013.

Title: I will praise you, Lord Text: Psalm 29 (30): 2, 4-6, 11-13 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

Boulez declares: “Any composer of our time who has not felt the necessity of the serial method is worthless.”  Omit the word “not,” and I agree. Ned Rorem (2000) Lies: A Diary 1986-1999.  Cambridge: MA: Da Capo Press, p.69.

“I am a great believer in luck and the harder I work the more of it I have.”— Stephen Leacock, Canadian author American Opinion, volume 2, issues 8-11, page 20

I. Andante II. Poco Adagio III Rondo all’Ongarese Chamber music in the eighteenth century was written for and performed for the aristocracy. Music was an aesthetic pleasure: thus an emphasis was placed on musical balance and clarity in the context of an expressive style: evident particularly in the first two movements of this trio, which […]