Artificial by nature

Burnett James describes how in the 1920s Ravel was

preoccupied with decorating "Le Belvédère" [his house] and in laying out the garden with many small exotic plants and miniature Japanese trees. To see that house and garden today is to experience a feeling of direct contact with Ravel. He deliberately made it an accurate reflection of himself, a tangible extension of his personality and character. To see it and absorb its atmosphere is to come closer to understanding what he meant when he retorted, on hearing a repetition of the charge that his music was "artificial": "Has it never occurred to them that I may be artificial by nature?"

James, Burnett (1983) Ravel: His Live and Times. Kent: Midas Books, p.92-3.

Posted

in

by

Greg

Tags:

,

Featured Content

From the heart
“What comes from the heart, goes to the heart.” — Samuel Coleridge Taylor, English poet, critic and philosopher. Coleridge, Samuel (1856) Seven Lectures on Shakespeare and Milton. London: Chapman and Hall, page xlv
Can you teach resourcefulness
Young musicians will need resourcefulness to make their way in the world. Music “jobs” in the future are likely to be less attached to institutions (many of which are troubled in one way or another), entrepreneurial, and varied beyond a straight performance career to include all manner of teaching, coaching,  and work we could loosely […]
Hoffman on technique
Technic  represents the material side of art, as money represents the material side of life.  By all means achieve a fine technic, but do no dream that you will be artistically happy with this alone.  There is a technic which liberates and a technic which represents the artistic self.  All technic ought to be a […]
Bach’s reputation
“The difference between the reputation that Bach enjoyed in his lifetime and that which accumulated posthumously is one of the most remarkable phenomena in the history of music.” Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 65.
The Lord is my Light (Setting II) – Psalm 26 (27)
Title: The Lord is my light (Setting II) Text: Psalm 26 (27): 1, 4, 13-14. R. v.1 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
The here and now
“It is a mark of soulfulness to be present in the here and now. When we are present, we are not fabricating inner movies. We are seeing what is before us.” – John Bradshaw (1992) Creating Love: The Next Great Stage of Growth.  United States: Bantam Books, p.127.
The Just Will Live in the Presence of the Lord (Setting II) – Psalm 14 (15)
Title: The just will live in the presence of the Lord (Setting II) Text: Psalm 14 (15):2-5 (setting ii) Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Liszt on the piano
In its span of seven octaves [the piano] embraces the range of an orchestra; the ten fingers of a single man suffice to render the harmonies produced by the combined forces of more than 100 concerted instruments. We make arpeggios like the harp, prolonged notes like wind instruments, staccatos, and a thousand other effects which […]
The inexpressible depth of music
The inexpressible depth of all music, by virtue of which it floats past us as a paradise quite familiar and yet eternally remote, and is so easy to understand and yet so inexplicable, is due to the fact that it reproduces all the emotions of our innermost being, but entirely without reality and remote from […]
Music which never leaves
‘”Great music is that which penetrates the ear with facility and leaves the memory with difficulty.  Magical music never leaves the memory.” Sir Thomas Beecham Speech, c.1950, quoted in The Sunday Times, 16 September 1962