Culture is our fuel“‘Culture is our petrol,’ says Toumani Diabaté, the Malian kora player who has collaborated with Damon Albarn and Björk, to name but a few. ‘Music is our mineral wealth. There isn’t a single major music prize in the world today that hasn’t been won by a Malian artist.’ ‘Music regulates the life of every Malian’, […]
How to get an audienceJohannes Brahms and the violinist Eduard Remenyi had been concertizing to great success in Cello and Lüneberg. By this time the two musicians were so elated over their success that they decided to try a concert in the city of Hildesheim entirely on their own. They had no one there to herald their coming, write […]
Tchaikovsky on Arensky“Arensky is a man of remarkable gifts, but morbidly nervous and lacking in firmness—altogether a strange man.” Pyotr Ilyich Tchaikovsky, in a letter to N. F. von Meck, Frolovskoe, July 2nd (14th), 1890. Cited in Modest Tchiakovsky, The Life & Letters of Peter Ilich Tchaikovsky, np., Outlook Verlag, 2018, p. 477.
Nick Cave on the creative processWorry less about what you make — that will mostly look after itself, and is to some extent beyond your control, and perhaps even none of your business — and devote yourself to nourishing this animating spirit. Bring all your enthusiasm to bear on the development of that good and essential force. This is done […]
Early music discovered on carvingA craftsman replicating large medallions has discovered medieval Scottish notation of instrumental music. The notation is sequences of 0s, Is and IIs. Barnaby Brown, a specialist in early Scottish music, notated that, “This discovery is potentially of great significance to our understanding of medieval and Renaissance instrumental music – the normally ‘unwritten’ practice of the elite court […]
A hundred violins may play softer than oneJohn Holmes “reiterates that only with a large group can you get a truly soft sound. Sure, a solo fiddle can hold its own against a hundred fiddles: a hundred fiddles are never a hundred times louder than a solo at the same dynamic, since there’s no such animal as “a same dynamic,” or even […]
I write for all earsWhen Mozart was writing his opera Idomeno, his father warned him to make sure it was accessible to all the audience. Mozart replied: As far as the so-called Popular style is concerned, don’t worry about it; in my Opera you’ll find Musick for every kind of listener = except for those with the long ears […]
The two faces of art“Every great work of art has two faces, one toward its own time and one toward the future, toward eternity.” – Daniel Barenboim, pianist and conductor Cited at: QuotationsBook
Richter on Bach“It does no harm to listen to Bach from time to time, even if only from a hygienic standpoint.” – Sviatoslav Richter, pianist Monsaingeon, Bruno (2001). Sviatoslav Richter: Notebooks and Conversations. Princeton University Press, p.196. Cited at: Wikipedia
Through the Long NightTitle: Through the Long Night Composer: Greg SmithText: Edward Carpenter Instrumentation: TTBBProduct medium: PDF score
