Bruno Walter, Friedrich Buxbaum, and Arnold Rosé were to perform Erich Korngold’s Piano Trio in D in 1910. Korngold was only 13 at the time. These three great musicians were to remain Korngold’s devoted friends and admirers, and they frequently performed his subsequent works. Previous to this performance, Bruno Walter had known of the boy’s […]

Title: One Week (silent film soundtrack) Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: MP3 score (22:24) BACKGROUND: Film: Directors: Edward F. Cline & Buster Keaton Starring: Buster Keaton, Joe Roberts, Sybil Seely Date of release: 1920 Synopsis: A newly wed couple receive a generous gift of a house of their own. There’s […]

> Title: Tally Ho Composer: Greg Smith Instrumentation: Piano Duet Level: Piano I – 1.1 (five finger position with movement to the 6/4 position) Product medium: PDF score and MP3 accompaniment track SAMPLES: (Audio sample of accompaniment track only)

Title: The just will live in the presence of the Lord (Setting II) Text: Psalm 14 (15):2-5 (setting ii) Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

Composer: Joe HisaishiArranger: Greg SmithTitle: “Memories”, from The Boy and the HeronInstrumentation: Piano Solo This item is available from Sheet Music Direct and Sheet Music Plus.

It appears to me that the subject of music, from Machaut to Boulez, has always been its construction. Melodies of 12-tone rows just don’t happen. They must be constructed…. To demonstrate any formal idea in music, whether structure or stricture, is a matter of construction, in which the methodology is the controlling metaphor of the […]

The conductor Leopold Stokowski had a love hate relationship with his audience: He wooed them and cajoled them, flattered them and then gently reproved them.  When they grew fidgety, he shamed them into attentiveness and concentration.  “Please don’t do that,” he once admonished an audience of program shufflers.  “We work hard all week to give […]

Handel certainly liked to eat: A story is told of him that he once ordered up enough dinner for three. Noting that the servant dawdled about, Handel demanded why; the servant answered that he was waiting for the company to come, whereupon Handel stormed, in his famous broken English, “Den print up der tinner prestissimo. […]

This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before.  — Leonard Bernstein, 25 November 1963 Christopher Buchenholz, “An Artist’s Response to Violence”, Leonard Bernard Office, https://leonardbernstein.com/about/humanitarian/an-artists-response-to-violence. Accessed 18 March 2022.