Silence, expression, and musicFrom pure sensation to the intuition of beauty, from pleasure and pain to love and the mystical ecstasy and death—all the things that are fundamental, all the things that, to the human spirit, are most profoundly significant, can only be experienced, not expressed. The rest is always and everywhere silence. After silence that which comes […]
It’s two-four … It’s three-fourChopin had a free sense of rhythm. In 1842, Chopin was giving a lessen to Wilhem von Lenz when Meyerbeer walked in. The Mazurka (op. 33 no. 3) was being played. von Lenz recounts: Meyerbeer had seated himself; Chopin let me play on. “That is two-four time,” said Meyerbeer. For reply, Chopin made me repeat, […]
Meditation IIComposer: Greg SmithTitle: Meditation IIInstrumentation: PianoPerformer: Greg Smith (November 2010)Product medium: MP3 recording Your user agent does not support the HTML5 Audio element. Sheet music
Tally Ho!> Title: Tally Ho Composer: Greg Smith Instrumentation: Piano Duet Level: Piano I – 1.1 (five finger position with movement to the 6/4 position) Product medium: PDF score and MP3 accompaniment track SAMPLES: (Audio sample of accompaniment track only)
The state of opera: 1720sIn 1720 in Italy, opera was largely dictated by the egos of the singers, rather than considering the text, or the composer: The satirical writer Marcello wrote that the opera composer will hurry or slow down the pace of an aria, according to the caprice of the singers, and will conceal the displeasure which their […]
Richard Bach on perseverance“A professional writer is an amateur who didn’t quit.” — Richard Bach, American writer Applewhite, Ashton; William R. Evans, Tripp Evans, Andrew Frothingham (2003) And I Quote. Macmillan. Macmillan.
Beyond the comfort zoneI believe one shouldn’t be too comfortable when listening to really great music. To appreciate good music, one must be mentally alert, and emotionally receptive. You can’t be that when you are sitting at home with your feet on a chair. No, listening to music is more strenuous than that. Music is like the poetry; […]
A conductor’s hair styleIn Halina Rodzinski’s book Our Two Lives she describes how on the very first day Artur Rodzinski came to assist Stokowski in 1929, his boss immediately restyled his hair without a part and combed straight back from the brow. “That’s how a conductor should look,” said Stokowski, pointing Rodzinski at a mirror in his dressing […]
This music is too hardIn 1862 Brahms went to Vienna: Although he been in Vienna only a few weeks, Brahms was already making a name for himself. After the first performance of his First Serenade, Hanslick wrote more favorably, calling the work “one of the most charming of modern compositions.” A few months later, the leading Viennese orchestra played […]
Too much pedalJohannes Brahms could be incredibly rude, even to his friends. While playing a Beethoven sonata with a cellist friend one day, he applied his piano’s pedals with more enthusiasm than the friend had hoped. “Softer,” he pleaded, “I can’t hear my cello.” “You are lucky,” Brahms replied. “I can.” Source: N. Slonimsky, Book of Musical […]