Language is at its most powerful when it disturbs, not by arriving at insights/understandings, but by creating possibilities. – Thomas Ogden T. Ogden, Reveries and Interpretations: Sensing Something Human, Lanham, Roman & Littlefield, 2004, p. 219.

ARTICLES & PAPERS: PROGRAM NOTES:

“Learn the rules like a pro so you can break them like an artist.” Attributed to Pablo Picasso, painter

“Good music is very close to primitive language.” Denis Diderot (Elements of Physiology, 1875)

Music can imply the infinite if enough things depart from the norm far enough. Strange “abnormal” events can lead to the feeling that anything can happen, and you have a music with no boundaries. – Morton Feldman, American composer Cited in Tom Johnson, Remembrance, September 1987. Accessed 13 May 2013.

Gershwin was often the life of a party, entertaining on the piano.  He said: “The trouble is, when I don’t play at a party I don’t have a good time.” Cited in: Greenberg, Rodney (2008) George Gershwin.  New York: Phaidon Press, p.47.

Title: “Sacred Steps” from Song Offerings (Gitanjali) Text: Rabindranath Tagore Music: Greg Smith Instrumentation: SATB Product medium: PDF score Sample:

My approach is to sit with the score and make my decisions about what Andante means or what piano means in a certain context; often you go back to recordings and find that nobody’s ever really played it that way. You ask yourself ‘Why is that? Did I misread or misinterpret something? Or is this […]

Title: Forgive ( Прости!) (opus 60, no. 11] Composer: Pytor Il'yich Tchaikovsky (arr. Greg Smith) Instrumentation: Cello and piano Product medium: PDF score and part Sample:

TITLE: Tale COMPOSER: Greg Smith INSTRUMENTATION: Bassoon and Piano PRODUCT MEDIUM: PDF score and part PRICE: $11.95 SAMPLES: