Articles, papers, program notes

ARTICLES & PAPERS:

Performance practice issues in Russian Piano Music

ABSTRACT The nineteenth and twentieth centuries witnessed the rapid growth of musical culture in Russia. This resulted in a large repertoire …

PROGRAM NOTES:

Anton Arensky: Trio in D minor for violin, cello, and piano (op. 32)

I. Allegro moderato II. Scherzo: Allegro molto-Meno Mosso-Allegro molto III. Elegia: Adagio IV: Finale: Allegro non troppo Accounts of Arensky …

Claude Debussy: Rêverie

Fromont published Rêverie years after Debussy had given it to them. By this time, Debussy’s opinion of it had changed: …

Claude Debussy: Suite Bergamasque

I. Prélude II. Menuet III. Claire de Lune IV. Passepied The term “bergamasque” refers to the ancient city of Bergame, …

Dmitri Shostakovich: Piano Trio No. 2, Op. 67

I. Andante-Moderato II. Allegro non troppo III. Largo IV. Allegretto Having recently finished his Eighth Symphony, Shostakovich stated work on …

Eugène Ysaÿe: Violin Sonata No. 4

Eugène Ysaÿe (1858-1931) was a Belgian violinist, conductor and composer. Carl Flesch described him has “the most outstanding and individual …

Franz Joseph Haydn: Piano Trio (Hob. XV, No. 25) “Gypsy Trio”

I. Andante II. Poco Adagio III Rondo all’Ongarese Chamber music in the eighteenth century was written for and performed for …

Franz Schubert: Six Moments Musicaux (Musical Moments), op.94

(i) Moderato (C major) (ii) Andantino (A-flat major) (iii) Allegro moderato (f minor) (iv) Moderato (c-sharp minor)/ (v) Allegro vivace …

Frédéric Chopin: Nocturnes

Op. 9, no. 2 (Eb major)Op. 15, no. 3 (G minor)Op. 27, no. 1 (C-sharp minor)Op. 27, no. 2 (Db …

Jean Sibelius: Bagatelles (op. 97)

(i) Humoresque I (ii) Song (iii) Little Waltz (iv) Humorous March (v) Impromptu“Never write an unnecessary note. Every note must …

Johann Sebastian Bach: Sonata for violin and obbligato keyboard in A major (BWV 1015)

I. Dolce II. Allegro assai III. Andante un poco IV. Presto Prior to J. S. Bach, the harpsichord in ensemble …

Maurice Ravel: Menuet sur le dom d’Haydn; Menuet Antique; Pavane pour une infante défunte; Sonatine

Ravel’s style — elegant, and refined — was highly influenced by eighteenth classicism (e.g., Mozart) and the early French keyboard …

Posted

in

by


Featured Content

Mozart on Clementi
“Now I need to say a word to my sister about the Clementi sonatas.  – Anyone who plays them can hear or feel that as compositions they aren’t very much. – There are no remarkable striking passages, except the sixth and the octaves; – and even those I am asking my sister not to spend […]
Vaughan Williams on sense of musical citizenship
Vaughan Williams wrote a series of articles for the Royal College of Music magazine entitled “Who Wants the English Composer?”. In these, he expresses his advocacy for an exploration of the English musical style: We English composers are always saying, “Here are Wagner, Brahms, Grieg, Tchaikovsky, what fine fellows they are, let us try and […]
Saint-Saens on Bach and Mozart
“What gives Sebastian Bach and Mozart a place apart is that these two great expressive composers never sacrificed form to expression. As high as their expression may soar, their musical form remains supreme and all-sufficient.” – Camille Saint-Saëns, from a letter to Camille Bellaigue, 1907 Cited in: Fisk, Josiah (ed.) (1997) Composers On Music: Eight […]
Be a work of art
“One should either be a work of art, or wear a work of art.” Oscar Wilde, Phrases and Philosophies for the Use of the Young
An artist’s job is not for small talk
Nora Guthrie, Woody's daughter, once told me a story about a reception she was at where Bob Dylan was in attendance. The business people there were quietly commenting on how unsociable Dylan seemed to them, not what they imagined an encounter with Dylan would be like. When that observation about Dylan's behavior and disposition were […]
Mood lighting to boost creativity
A study published in the Journal of Environmental Psychology has concluded that the level of lighting in a room can impact the level of creative thinking. Anna Steidle and Lioba Werth concluded that “darkness increases freedom from constraints, which in turn promotes creativity.” A dark environment “elicits a feeling of freedom, self-determination, and reduced inhibition, […]
The evolution of the jazz tradition
American jazz music is, in many ways, rooted in its “traditional” repertoire – the American “Songbook” of “standards”. There are, however musicians who emphasise the importance of a fresh approach: If jazz has a future, musicians like Matt Mayhall could help it get there. A lanky, bespectacled Reno native and graduate of Cal Arts, where […]
It’s Oh So Quiet
In 1995, Bjork released a big band jazz cover of Betty Hutton’s 1948 hit “Blow a Fuse”. This was a cover of an Austrian song “Und jetzt ist es still” by Hans Lang and Erich Meder. Bjork said of the song: Isn’t that the best song you’ve heard for five years? In a way it […]
George Gershwin at the piano
The theatre director Rouben Mamoulian describes Gershwin’s playing: George at the piano was George happy … like a sorcerer celebrating his Sabbath.  He would draw out a lovely melody like a golden thread, then juggle it, twist it and toss it around mischievously, weave it into unexpected intricate patterns, and hurl it into a cascade […]
Be With Me, Lord, When I Am In Trouble (Setting II) – Psalm 90 (91)
Title: Be with me, Lord, when I am in trouble (setting ii) Text: Psalm 90 (91): 1-2, 10-15. R. v.15 Composer: Greg Smith Instrumentation: SATB and piano Product medium: SATB score and partSAMPLE: