“During a very busy life I have often been asked, How did you manage to do it all? The answer is very simple. It is because I did everything promptly.  Procastination … is fatal.” Richard Tangye (1833-1903), British manufacter of engines and other heavy equipment. Thomas Sharper Knowlson, The Art of Success, London: F. Warne […]

(i) Moderato (C major) (ii) Andantino (A-flat major) (iii) Allegro moderato (f minor) (iv) Moderato (c-sharp minor)/ (v) Allegro vivace (f minor) (vi) Allegretto (A-flat major) In 1929, Oscar Bie reflected on Schubert: That face! . . . It is the face of a teacher, but not of a strict one. The hair curls about […]

In a lecture in 1928 in Houston, Texas, Ravel described the differences between Debussy and his approach to composition: For Debussy the musician and the man I have had profound admiration, but by nature I am different from him. Although he may not be quite a stranger from my own personal heritage, I would at […]

British conductor Thomas Beecham was not too impressed with early recording technology (the gramophone): It was put to him that for people who lived in remote districts, far from orchestral concerts, the gramophone was an alternative: "It is no alternative to this," he said, waving his arm towards the hall, where the orchestra was waiting […]

“I am always doing what I can’t do yet in order to learn how to do it”. – Van Gogh, painter, in a letter to Anthon van Rappard, 1885  

“The present time has to a great extent liberated itself from symphonic form – from formalism. This started when the concert halls became empty, because that form has nothing to do with human beings. I believe that the present time is progressing.” Jean Sibelius, to Jussi Jalas, 17th July 1946 Cited at: www.sibelius.fi [accessed 31 […]

“They who dream by day are cognizant of many things which escape those who dream only by night.” — Edgar Allan Poe

In 1866 Brahms and the violinist Joachim gave a concert tour through Switzerland.  One of their concerts was in Aarau. After the program, Brahms and Joachim went to a tavern, where they opened several bottles of the best vintage Swiss wine, including the popular vin mousseux of Lausanne.  Brahms felt decidedly genial. “How did we […]

“I feel a real need for Beethoven now.  It’s such important and spiritual music: it gives you strength, it gives you comfort. It’s just great!” – Leif Ove Andsnes, pianist. Source: Jessica (2011) “Top of the World”, Pianist, Issue 60. p.13.

Title: Mighty Like A Moose (silent film soundtrack) Composer Greg Smith Instrumentation: Piano Product medium: PDF score (34 pages) Background:     Written by: Charley Chase & H. M. Walker     Starring: Charley Chase, Vivien Oakland, Gale Henry, Charles Clary, Ann Howe, Malcolm Denny     Directed by: Leo McCarey     Film released: 1926 SAMPLE: