Mozart’s daily schedule

“…at 6 o’clock in the morning I’m already done with my hair; at 7 I’m fully dressed; – then I compose until 9 o’clock; from 9 to 1 o’clock I give lessons. – Then I Eat, unless I’m invited by someone who doesn’t eat lunch until 2 or 3 o’clock as, for instance, today and tomorrow at the Countess Zizi and Countess Thun.- I can’t get back to work before 5 or 6 o’clock – and quite often I can’t get back at all, because I have to be at a performance; if I can, I write until 9 o’clock. After that I go and visit my dear Konstanze; – however, our pleasure of seeing each other is often ruined by the galling remarks of her mother … but this is the reason why I want to liberate and rescue her as soon as possible. – I get home about half past 10 or at 11 o’clock at night; – it all depends on her mother’s darts or my ability to endure them. – Since I can’t depend on being able to compose in the evening, because of the concerts that are taking place, but also because of the uncertainty whether I might be summoned somewhere, it has become my habit to compose a little before going to bed, especially when I get home a bit earlier. – Often enough I go on writing until 1 o’clock – and then, of course, up again at 6 o’clock.”

– Wolfgang Amadeus Mozart, in a letter to his sister, Maria, 13 February 1782.

Cited in: Spaethling, Robert (2000) Mozart’s Letters; Mozart’s Life. London: Faber and Faber, p.304.


Posted

in

by

Tags:


Featured Content

Our modernized world needs music
“Our modernized minds need to be musicalized. We have defied the intellect … and developed only half of man’s possibilities. There is no other human activity that asks for such a harmonious cooperation of “intellect” and “soul” as artistic creation, especially music.” Ernst Levy, Swiss composer, musicologist, pianist and conductor. Cited in: Kimball, K., Petersen, […]
Beethoven’s contest
In 1800, an improvisation contest occured between Beethoven and the pianist Daniel Steibelt. It was agreed that Prince Lobkowitz would sponsor Steibelt and Prince Lichnowsky sponsor Beethoven, the improvisation contest to take place in Lobkowitz’s palace. As the challenger, Steibelt was to play first. He walked to the piano, tossing a piece of his own […]
I dream …
“I dream, therefore I exist.” —August Stringberg, A Madman’s Defence (Le plaidoyer d’un fou)
Ravel’s fine attributes as a composer
On his tour to America in 1928, Ravel was highly praised by music critics.  In the New York Times, Olin Downeswrote: Never to have composed in undue haste; never to have offered the public a piece of unfinished work; to have experienced life as an observant and keenly interested beholder, and to have fashioned certain […]
Music as a metaphor … or not
“Most music is metaphor, but Wolff is not. I am not metaphor either. Parable, maybe. Cage is sermon.” – Morton Feldman, American composer Cited in Tom Johnson, Remembrance, September 1987. Accessed 11 May 2013.
Ode I
Title: Ode IComposer: Greg SmithInstrumentation: PianoPerformer: Greg Smith (January 2010) Your browser does not support the audio element. Sheet music
Vassily Primakov on the role of the arts
“[Art] certainly takes us some place unobtainable. We can go on to say that it enriches our lives – as it has my own. There are many classical musicians I’ve met who are, in my opinion, snobs. They are only involved in certain types of music, seeing nothing beyond ‘classical music’. I think this is […]
Entertaining to educate
“I would rather entertain and hope that people learned something than educate people and hope they were entertained.” — Walt Disney L. Howes, “20 Lessons from Walt Disney on Entrepreneurship, Innovation and Chasing Your Dreams”, Forbes, 17 July 2012, https://www.forbes.com/sites/lewishowes/2012/07/17/20-business-quotes-and-lessons-from-walt-disney/?sh=4b3af9d44ba9.
The sole purpose of art is infinite
E. T. A. Hoffmann wrote in 1813 that instrumental music is the most romantic of all the arts  – one might almost say, the only genuinely romantic one – for its sole subject is the infinite.  The lyre of Orpheus opened the portals of Orcus – music discloses to man an unknown realm, a world […]
The experience of composition
“I am not suited to ‘writing music’. All has to be experienced.” -Jean Sibelius Cited in:Goss, Glenda (2009) “Sibelius”. Chicago: The University of Chicago Press, p. 6.