"Art isn't your pet – it's your kid.  It grows up and talks back to you."  Joss Whedon, screenwriter

It is virtuosity itself that I want to defend. It is the source of the picturesque in music, it gives the artist wings with whose help he escapes platitudes and the everyday. The conquered difficulty is in itself a beautiful thing. Theódphile Gautier, in Émaux et camées, considered this issue in immortal verses. . . […]

But weeds have this virtue: they are not easily discouraged; they never lose heart entirely; they die game. If they cannot have the best, they will take up with the poorest; if fortune is unkind to them today, they hope for better luck tomorrow; if they cannot lord it over a corn-hill, they will sit […]

Title: Prayer of Thanksgiving to the Trinity Text: St. Catherine’s Dialogue on Divine Providence Composer: Greg Smith Instrumentation: Concert band (Flt. 1 & 2, Cl. 1 & 2, Alt. Sax., Ten. Sax., Bar. Sax., Trpt 1 & 2, trb, tub., perc.) Product medium: PDF score and parts     Related products:     – Prayer of Thanksgiving to the […]

Title: Sleeping Beauty Waltz Composer: Pytor Il’ich Tchaikovsky Arranger: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part Sample:

A student of Rachmaninoff, Ruth Slenczynska, recalled: I remember how Rachmaninoff explained to me the problem of phrasing: he showed me an elastic band and stretched it slightly, then allowed it to bounce back; next, he stretched it beyond a certain point, and it snapped. He meant to say that no part of a musical […]

“It’s like, why move to Florida if you don’t like the sun?” says Menken when I visit his home in North Salem, an hour out of New York. “Music is a viscerally powerful medium, both on a bodily level and on an emotional level. There are intellectual components about it, but its basic strength comes […]

“His creation was spontaneous and miraculous. He found it without seeking it, without forseeing it. It came on his piano suddenly, complete, sublime, or it sang in his head during a walk when he was impatient to play it to himself. But then he began the most heart-rending labor I ever saw. It was a […]

See also Sacred Music

The relativity of all these key-colour associations was illustrated during a debate on the whole subject organised in London in 1886 by the Journal “Musical Opinion”. That section of the audience that maintained the definite existence of “key colour” by which it could aurally identify a key was submitted to a test, a well known […]