Bruckner’s dog

Some of Anton Bruckner’s students decided to play a trick on him. While he was out to  lunch, they played music on the piano for Bruckner’s dog. As one of them played a motive from Richard Wagner’s music, the others chased the dog around the room and slapped him. But when they played from Bruckner’s own Te Deum, they gave the dog treats.

Once the dog started running away every time he heard Wagner’s music and came bounding toward the piano with his tail wagging every time he heard Bruckner’s, the students prepared the next part of their plan.

When Bruckner returned from lunch, the student’s hailed him as the greatest living composer. Bruckner, of course, always insisted that Wagner was the greatest. He became incensed when someone elevated even his own music above Wagner’s.

The students then informed him that even the dog knew that Bruckner was greater than Wagner. Intrigued, he asked for proof. Sure enough, at the sound of Wagner’s music, the dog howled and ran out of the room, but at the sound of Bruckner’s Te Deum, he returned with his tail wagging and pawed expectantly at the students’ sleeves. Surely it didn’t take Bruckner long to figure out the explanation, but he was  pleased at the demonstration nonetheless.

Source: All Purpose Guru


Posted

in

by


Featured Content

Karajan and direction
Seiji Ozawa recalls Karajan’s overarching concept of music: I really shouldn’t start comparing Karajan and Bernstein. I’m thinking of the word “direction” – the direction of the music. In Maestro Karajan’s case, he had it from birth – the ability to make long phrases. It was something he taught us, the ones who studied with […]
Transformation of art
“Art does not progress – it transforms itself.” – François-Joseph Fétes Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 191.
The Lord Gave The Bread – Psalm 77 (78)
Title: The Lord gave them bread from heaven Text: Psalm 77 (78):3-4. 23-25. 54 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and parts Sample:
Art to be virtuous
Any artist knows that the space between the stage where the work is too unformed to have committed itself and the stage where it is too late to improve it can be as thin as a needle.  Genius perhaps consists in opening out this needle-like area until it covers almost the whole of the working […]
A Tear Hangs There (Tchaikovsky)
Composer:  Pytor Il’yich Tchaikovsky (arr. Greg Smith) Title: A Tear Hangs There (Слеза дрожит), Op. 6. No. 4 Instrumentation: Cello and piano Product medium: PDF score and part Sample:
Saint-Saens on Bach and Mozart
“What gives Sebastian Bach and Mozart a place apart is that these two great expressive composers never sacrificed form to expression. As high as their expression may soar, their musical form remains supreme and all-sufficient.” – Camille Saint-Saëns, from a letter to Camille Bellaigue, 1907 Cited in: Fisk, Josiah (ed.) (1997) Composers On Music: Eight […]
Liszt on the piano
In its span of seven octaves [the piano] embraces the range of an orchestra; the ten fingers of a single man suffice to render the harmonies produced by the combined forces of more than 100 concerted instruments. We make arpeggios like the harp, prolonged notes like wind instruments, staccatos, and a thousand other effects which […]
What we play
“What we play is life.” Louis Armstrong, Jazz musician Cited at: Satchmo, “Louis Armstrong Quotes and Tributes.” https://www.satchmo.com/louisarmstrong/quotes.html, accessed 6 September 2021.
Bernstein’s response to violence
This will be our response to violence To make music more intensely, more beautifully, more devotedly than ever before.  – Leonard Bernstein.
The effect of audience reception on Stravinsky’s compositional process
Stravinksy on the public not particularly liking his music: Their attitude certainly cannot make me deviate from my path. I shall assuredly not sacrifice my predilections and my aspirations to the demands of those who, in their blindness, do not realize that they are simply asking me to go backwards … I could not follow […]