Imagination

“Imagination decides everything: it creates beauty, justice and happiness, which is the world’s supreme good.”

– Pascal Blaise, French mathematician, physicist, and philosopher.

C. Prendergast, A history of modern French literature: from the sixteenth century to the twentieth century, Princeton, Princeton University Press, 2017, p. 237.


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Many an Orpheus and Arions make up a Bach
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Sanctuary (The Boy and the Heron)
Composer: Joe HisaishiArranger: Greg SmithTitle: “Sanctuary”, from The Boy and the HeronInstrumentation: Piano Solo Available from Sheet Music Direct and Sheet Music Plus.
The evolution of the jazz tradition
American jazz music is, in many ways, rooted in its “traditional” repertoire – the American “Songbook” of “standards”. There are, however musicians who emphasise the importance of a fresh approach: If jazz has a future, musicians like Matt Mayhall could help it get there. A lanky, bespectacled Reno native and graduate of Cal Arts, where […]
The human voice
O, how wonderful is the human voice! It is indeed the organ of the soul! The intellect of man sits enthroned visibly upon his forehead and in his eye; and the heart of man is written uponhis countenance. But the soul reveals itself in the voice only; as God revealed himself to the prophet of […]
Imagination
“Imagination decides everything: it creates beauty, justice and happiness, which is the world’s supreme good.” – Pascal Blaise, French mathematician, physicist, and philosopher. C. Prendergast, A history of modern French literature: from the sixteenth century to the twentieth century, Princeton, Princeton University Press, 2017, p. 237.
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Gershwin conducting
Isaac Goldberg described Gershwin’s enthusiasm when conducting: He conducted not just with his baton, but with his cigar, his shoulders, his hips, his eyes and whatnot.  Nothing but a sense of propriety keeps him from leaping over the footlights and getting right into the show himself. Cited in: Greenberg, Rodney (2008) George Gershwin.  New York: Phaidon […]
Content of art
How can you expect a beholder to experience my picture as I experienced it? A picture comes to me a long time beforehand; who knows how long a time beforehand, I sensed, saw, and painted it and yet the next day even I do not understand what I have done. How can anyone penetrate my […]