“Great occasions do not make heroes or cowards; they simply unveil them to the eyes of men.” – Brooke Westcott, Bishop of Durham, scholar, theologian Cited at Quotations Book

A student of Rachmaninoff, Ruth Slenczynska, recalled: I remember how Rachmaninoff explained to me the problem of phrasing: he showed me an elastic band and stretched it slightly, then allowed it to bounce back; next, he stretched it beyond a certain point, and it snapped. He meant to say that no part of a musical […]

Composer: Joe HisaishiArranger: Greg SmithTitle: “Sanctuary”, from The Boy and the HeronInstrumentation: Piano Solo Available from Sheet Music Direct and Sheet Music Plus.

It was in the eventful year, then, of 1813—the year of “Il Figlio per Azzardo”, with its obbligato accompaniment for lamp-shades of “Tancredi” and of “L’Italiana in Algeri”—that Rossini was writing one morning in bed, when the duet on which he was engaged fell from his hands. “Nothing easier”, an ordinary composer would say, “than […]

Now I am attracted only to music which I consider to be better than it can be performed. Therefore I feel (rightly or wrongly) that unless a piece of music presents a problem to me, a neverending problem, it doesn’t interest me too much. For instance, Chopin’s studies are lovely pieces, perfect pieces, but I […]

Abstract art is only painting. And what’s so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint. It is the object which aroused the artist, […]

Title: Lord, when your glory appears (Setting II) Text: Psalm 16 (17): 1, 5-6, 8, 15 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

All this, my friend, will time provide, And of itself, itself will give; Soon as you in yourself confide, You know the way to live! — Mephistopheles to Faust Johann Wolfgang von Goethe, Faust: A Tragedy, translated by Lewis Filmore, (London: William Smith, 1847), p. 79. First published in the German as Faust: eine Tragödie, […]

I was about eleven years old when my respected teacher Czerny took me to see Beethoven.  Already a long time before, he had told Beethoven about me and asked him to give me a hearing some day.  However, Beethoven had such an aversion to infant prodigies that he persistently refused to see me.  At last […]

I. Prélude II. Menuet III. Claire de Lune IV. Passepied The term “bergamasque” refers to the ancient city of Bergame, located forty kilometres east of Milan. The character of its citizens (“rustic and clumsy”) was personified by a series of dances and the Italian comic character Harlequin (1572). This comic character is evident particularly in […]