The importance of reading

“Whoever wishes to play well must not only practice a great deal, but must also read a great many books.”

– Johannes Brahms.

Cited in: Goss, Madeleine (1943). Brahms: The Master. New York: Hery Holt & Company, p.157


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Art to be virtuous
Any artist knows that the space between the stage where the work is too unformed to have committed itself and the stage where it is too late to improve it can be as thin as a needle.  Genius perhaps consists in opening out this needle-like area until it covers almost the whole of the working […]
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A typical recital in England in 1897
John E. Borland described in a paper of June 1897: It was customary to commence with a Bach prelude and fugue (usually perverted from one intended for the organ), a Beethoven sonata (choice limited to four or five), some Chopin pieces (there were about twelve orthodox ones to select from), and a Liszt rhapsody. These […]
Oysters and champaign before a concert
“Sibelius and his wife Aino were in Gothenburg for a concert, the composer disappeared shortly before he was due to conduct.  Aino found him, immaculately dressed in his white tie and tails, drinking champagne and eating oysters at a nearby cafe.  Returning with him to the venue, she thought her husband was fine until he […]
Loyalty to a lead
John Sublett (stage name, John Bubbles) was a tap dancer unable to read music.  He was chosen by Gershwin to perform the role of Sportin’ Life in Porgy and Bess.  However…. Rehearsing as Sporting Life, John Bubbles was a special problem.  He was so laid back as to be often absent when needed.  At one […]
What about me?
Songwriter Johnny Green recalled Gershwin bragging about his achievements after a concert, eventually to stop and say: “That’s enough about me.  Now what did you think about how I played?” Cited in: Greenberg, Rodney (2008) George Gershwin.  New York: Phaidon Press, p.46.
Music better than it can be performed
Now I am attracted only to music which I consider to be better than it can be performed. Therefore I feel (rightly or wrongly) that unless a piece of music presents a problem to me, a neverending problem, it doesn’t interest me too much. For instance, Chopin’s studies are lovely pieces, perfect pieces, but I […]
Big Business
Title: Big Business (silent film soundtrack) Composer: Greg Smith Instrumentation: Piano Product medium:PDF score (31 pages) BACKGROUND: Film:     Directors: James W. Horne & Leo McCarey     Starring: Stan Laurel & Oliver Hardy     Year of release: 1929     Synopsis: Two salesmen are trying to sell Christmas trees in california. The customers, however, are not so keen. Who would […]
Sight singing with Handel
When Handel travelled through Chester, on his way to Ireland, this year, 1741 (to give the first performance of Messiah), I was at the Public School in that city and very well remember seeing him [Handel] smoke a pipe, over a dish of coffee, at the Exchange Coffee House; for being extremely curious to see […]
The decentralization (or de-hallification) of classical music
For generations, the main places to hear contemporary classical music have been the big institutions, primarily at downtown and university concert halls and opera houses, and sometimes in churches and other rather formal settings. That’s all changing. Young composers today are increasingly finding — or creating — outlets for their music in rock and jazz […]