I confess that I live only in my surroundings and in myself. I can conceive of no greater pleasure than sitting in my chair at this desk and looking at the walls around me day by day and night after night. In these pictures I do not see what you see; in the trees outside of my window I neither see nor hear what you do. I live in a world of my imagination, which is set in motion by something suggested by my intimate surroundings rather than by outside influences which distract me and give me nothing. I find an exquisite joy when i search deeply in the recesses of myself and if anything original is to come from me, it can only come that way.
Claude Debussy, in an interview with Harper Weekly, 1908
Richard Langham Smith, ed., (1977) Debussy on Music. New York: Knopf, p.232.
I live in a world of my imagination
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A concise rehearsal
Hans Knappertsbusch (1888-1965) was a German conductor. However, he had a dislike of rehearsals. Karajan recalled: One time he was going over Tchaikovsky’s Fifth with the Vienna Philharmonic. He came to the second movement, with the horn solo, and said, “Let’s start.” He did a few bars, stopped, and said, “See you this evening. You […]
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Autumn LeavesPianist Roger Williams on his hit recording of Autumn Leaves (which was recorded three days after signing his contract with Kapp records): “I said, ‘You mean ‘Falling Leaves’? I didn’t even know the title,” Mr. Williams told the Los Angeles Times in 1996. “I stayed up Friday and then Saturday night working on an arrangement.” […]
A simple requestHumorists Ilf and Petrov described a concert by Rachmaninoff In New York (November 1935): The night we went to hear him he appeared tall, bent, and thin, with a long sad face, his hair closely clipped; he sat down at the piano, separated the folds of his old-fashioned back swallowtail, adjusted one of his cuffs […]
Just as we checked the tuning …In 1853, Brahms went on a tour of German cities with the Hungarian violinist Eduard Reményi. In the town of Celle, they were scheduled to play Beethoven’s Sonata in c minor (op. 30, no. 2): but it was found that the piano in the hall was tuned a half tone too low. Reményi refused to […]
Musicians in Dresden in 1720s”There was rivalry among the musicians in Dresden in the 1720s. Daniel Heartz describes some incidents: Silvius Weiss, the famous lutenist, saw his livelihood threatened when he was attacked by a French violinist named Petit, who attempted to bite off the top joint of his right thumb. On 13 August 1722 Veracini jumped to the […]
Oration XIV (St. Gregory the Theologian)Title: Oration XIV Text: St. Gregory the Theologian Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score Samples:
Stanford on Tchaikovsky“Tchaikovsky reminded me, in more ways than one, of his countryman Tourgéniew, whom I once met at Madame Viardot’s. He had none of the Northern roughness, was as polished as a Frenchman in his manner, and had something of the Italian in his temperament… For all the belief which he had in himself, he was […]
Sondheim on expressionMike Brown interviewers musical theatre composer Stephen Sondhiem: When I venture that his songs might suggest that he has a somewhat jaundiced view of love, he momentarily flares into irritation. ‘How can you tell? Every single song I’ve ever written is sung by a character created by somebody else. Some might have a jaundiced view […]
Beethoven’s compositional processBeethoven was revising Fidelio when he wrote to Georg Freiedrich Treitschke (who was helping to revise the libretto) (1): Now, of course, everything has to be done at once; and I could composer something new far more quickly than patch up the old with something new, as I am now doing. For my custom when I […]