Structure and disharmony

“I need to start from the assumption that the world of spirit is ordered, structured by its very nature, that everything  which causes disharmony in the world, all that is monstrous, inexplicable, and dreadful … And the formula for world harmony is most likely linked not to the blurring of evil but to the fact that, when drawn into a harmonious picture of the whole, even evil changes its function.  By complementary interaction the negative elements cancel each other out, and as a result something harmonious and beautiful is born.”

  • Alfred Schnittke, Soviet composer.

Posted

in

by

Greg

Tags:

,

Featured Content

The Adventurer
Title: The Adventurer (Silent film soundtrack) Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: PDF score     Related products:     – The Adventurer (MP3 recording) BACKGROUND: FILM:     Written by: Vincent Bryan, Charlie Chaplin & Maverick Terrell     Starring: Charlie Chaplin, Edna Purviance, Eric Campbell     Director: Charlie Chaplin     Year of release: 1917 SAMPLES:
Dreaming of Figaro
By 1790, Haydn has become dissatisfied with life at Eszterhaza.  On 9th February he wrote: Well! I sit in my wilderness; forsaken, like some poor orphan, almost without human society; melancholy, dwelling on the memory of past glorious days.  Yes; past, alas! And who can tell when these happy hours may return?  Those charming meetings? […]
Abstraction I
Title: Abstraction Composer: Greg Smith Instrumentation: Piano Product medium: PDF score Sample:
Too much pedal
Johannes Brahms could be incredibly rude, even to his friends. While playing a Beethoven sonata with a cellist friend one day, he applied his piano’s pedals with more enthusiasm than the friend had hoped. “Softer,” he pleaded, “I can’t hear my cello.” “You are lucky,” Brahms replied. “I can.” Source: N. Slonimsky, Book of Musical […]
Murray Perahia
“It’s a very reactionary viewpoint and I’m slightly ashamed, but I find it very difficult to access contemporary music. I am not prejudiced, but my work in tonal music leads me to believe nothing can be organic if it doesn’t have a [sense of] “home.”  This idea of belonging, or home, can’t be an intellectual […]
Brahm’s first meeting with Schumann
He [Brahms] sat down and began the sonata which had so impressed Joachim [a violinist].  As he played, a swift change transformed [Robert] Schumann’s impassive features.  The Master listened with growing interest, then suddenly sprang to his feet. “Please”, he cried.  “Will you wait just a moment? Clara -” He hurried to the door and […]
Reich on modernism and tonality
American composer Steve Reich on Schoenberg and his compositional style: Schönberg is the beginning of the death of German Romanticism. It’s about deciding that we didn’t need harmonic organization. But this was music for a small cadre of listeners. I think Schönberg said, “In fifty years, the postman will whistle my tunes.” Well, it’s been […]
Stokowski’s first rehearsal with the Philadelphia Orchestra
On Stokowski’s first rehearsal with the Philadelphia Orchestra: From Oscar Schwar, a fellow faculty member at Curtis who became my friend, I heard the details of Stokowski’s first contact with the orchestra.  He would never forget, he said, that Monday morning of October 7, 1912, when an amazingly young and handsome Stokowski, wearing a light […]
In the event of a lack of singers
In a letter to his friend Abbé Joseph Bullinger, Mozart jokes about the musical environment in Salsburg. One of his subjects is the search for an additional final principle singer. “I can hardly believe it!” he wrote “A female singer!? When we have so many already! – and all of them first rate…” (1). Mozart […]
Rachmaninoff’s concert routine
Reporters described Sergei Rachmaninoff on a concert tour (c. 1940): His punctuality is a legend.  If a reporter asks for two minutes of his time, two minutes and no more are given.  Consequently he arrives at a concert hall on the dot of 8 and goes on the stage precisely at 8:30.  If the concert […]