Bassoon and pianoWord of mouth encoreLeopold Stokowski gave the Philadelphia premiere of Ravel’s Bolero as an “encore” at a Friday afternoon concert. The newspaper critics had all left the hall, and so once again word of mouth had to prove its effacy, for at the Saturday night concert, after the last number, the audience applauded with unusual fervour and would […]
Glenn Gould on recordingPianist Glenn Gould discussed the recording process with Yehudi Menuhin completing the playback of a Bach gigue: Now, Yehudi, you’ve got to admit that you would not be likely to encounter a sound like that in the concert hall… The point is that, if I were to play that piece in a concert hall, as […]
Debussy on impressionismWhat I am trying to do is something ‘different’ – an effect of reality, but what some fools call Impressionism, a term that is utterly misapplied, especially by critics who do not hesitate to apply it to Turner, the greatest creator of mysterious effect in the world of art. — Claude Debussy B. James, Ravel: […]
QuotesQUICK LINKS: Audience reception Composers General Performance practice Performers Style Symbolism Teaching methods The creative process The experience of art The purpose of the arts Work ethic Works See also: ANECDOTES AUDIENCE RECEPTION Quick links COMPOSERS Quick links GENERAL Quick links PERFORMANCE PRACTICE Quick links PERFORMERS Quick links STYLE Quick links SYMBOLISM Quick links TEACHING […]
Stokowski on contemporary musicLeopold Stokowski was a champion of contemporary music. He conducted music without judgement, believing judgement to be the public’s job. During the Philadelphia Symphony Orchestra’s 1915-16 season,he programmed orchestral suites from Stravinsky’s Firebird and Petrushka, Richard Strauss’ Alpine Symphony, Scriabin’s Poem of Ecstasy, and Schoenberg’s Kammersymphonie No. 1. “This last, very cerebral work, although not […]
Puccini’s hangoutPuccini was a very sociable man, quote often putting this before his composing. Even when he was working hard, he maintained an active social life: With the opening of the 1894-1895 season not far way, Puccini began steady work on La Bohème in Torre. But he also needed a place to relax, so his “second […]
Focus on solutionsFocus 90% of your time on solutions and only 10% of your time on problems. Anthony J. D’Angelo, author Cited at QuotationsBook
Communication with the audienceIgor Stravinsky contemplates the ultimate goal of an artist versus reality: “Art postulates communion [between the artist and the audience], and the artist has an imperative need to make others share the joy which he experiences himself. But in spite of that need, he prefers to direct and frank opposition to apparent agreement which is […]
Richter on Scriabin“Scriabin isn’t the sort of composer whom you’d regard as your daily bread, but is a heady liqueur on which you can get drunk periodically, a poetical drug, a crystal that’s easily broken.” -Sviatoslav Richter, pianist Monsaingeon, Bruno (2001). Sviatoslav Richter: Notebooks and Conversations. Princeton University Press, p.267 Cited at: Wikipedia
