Rachmaninoff and phrasingA student of Rachmaninoff, Ruth Slenczynska, recalled: I remember how Rachmaninoff explained to me the problem of phrasing: he showed me an elastic band and stretched it slightly, then allowed it to bounce back; next, he stretched it beyond a certain point, and it snapped. He meant to say that no part of a musical […]
FocusConcentrate all your thoughts upon the work at hand. The sun’s rays do not burn until brought to a focus. – Alexander Graham Bell Orison Swett Marden, (1901) “Bell Telephone Talk”, How They Succeeded. Boston: Lothrop Publishing Company, p. 38. Digitally archived at https://archive.org/details/howtheysucceeded00mardrich/mode/2up, accessed 11 September 2021.
The soul and speech“There is no real teacher who in practice does not believe in the existence of the soul, or in a magic that acts on it through speech.” Allan Bloom (1987) The closing of the American mind: How higher education has failed democracy and impoverished the souls of today’s students. New York: Simon Simon and Schuster, […]
The necessity of the serial methodBoulez declares: “Any composer of our time who has not felt the necessity of the serial method is worthless.” Omit the word “not,” and I agree. Ned Rorem (2000) Lies: A Diary 1986-1999. Cambridge: MA: Da Capo Press, p.69.
Evolving recordingsGwilym Gold has released an album that never plays the same way twice. Developed in collaboration with Lexxx and scientists from Goldsmiths University in London, Gold says the system, called Bronze, “makes the music more engaging, similar to a live performance. Every time it’s played, it’s renewing itself.” Mark Savage, “Gwilym Gold releases ‘constantly evolving […]
Brahms on SchubertMy love for Schubert is a very serious one, probably because it is no fleeting fancy. Where is genius like his, which soars heavenwards so boldly and surely, where we see the few supreme ones enthroned. He is to me like a son of the gods, playing with Jupiter’s thunder, and also occasionally handling it […]
George Gershwin at the pianoThe theatre director Rouben Mamoulian describes Gershwin’s playing: George at the piano was George happy … like a sorcerer celebrating his Sabbath. He would draw out a lovely melody like a golden thread, then juggle it, twist it and toss it around mischievously, weave it into unexpected intricate patterns, and hurl it into a cascade […]
It must be worth the effortMartinu on creating beautiful music: “It must be beautiful, or it wouldn’t be worth the effort.” Cited in: Calum MacDonald, “Bohuslav Martinu: Cosmopolitan Dreamer”, BBC Music, August 2009, p.45.
A concise rehearsalHans Knappertsbusch (1888-1965) was a German conductor. However, he had a dislike of rehearsals. Karajan recalled: One time he was going over Tchaikovsky’s Fifth with the Vienna Philharmonic. He came to the second movement, with the horn solo, and said, “Let’s start.” He did a few bars, stopped, and said, “See you this evening. You […]
True greatnessLife is made up of little things. It is very rarely that an occasion is offered for doing a great deal at once. True greatness consists in being great in little things. – Charles Simmons (1852) A Laconic Manual and Brief Remarker: Containing Over a Thousand Subjects. North Wrentham: Charles Simmons, p. 315. Digitally archived […]
