An old thing becomes new if you detach it from what usually surrounds it.
J. Butler, Star Texts: Image and Performance in Film and Television, Detroit, Wayne State University Press, 1991, p. 170.
— Robert Bresson, French filmmaker
Old into new
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A mushroom anyone?
…everybody was possessed by the Russian passion for gathering mushrooms. Rivalries ran high, mushrooms were counted and compared, their beauty was discussed. Rachmaninoff was an early riser and often went alone for a walk in the woods. He used to return contented and start teasing (he was a great teaser). One day he badgered us […]
Wagner’s observations on the English and oratoriosWagner attended a performance of Messiah at Exeter Hall in London with a chorus of 700 voices. He recorded in his autobiography: It is here that I came to understand the true spirit of English Protestantism. This accounts for the fact that an oratorio attracts the public far more than an opera. A further advantage […]
Practice slowly“One must practice slowly, then more slowly and finally slowly.” – Camille Saint-Saëns Cited in: The Piano Quarterly, 1974, p. 24.
The James Bond themeJohn Barry did not get the chance to see any footage and he had not read any of Ian Fleming’s books when he was called in to work on the music for the first James Bond film, Dr No (1962), for which Monty Norman had originally been commissioned to write the score. “I was just […]
The delicate nature of Chopin’s pianismChopin gave a recital in the Gentlemen”s Concert Hall, Manchester, on 28 August 1848. The audience of 1,200 people was the largest Chopin had ever performed to, but Chopin’s delicate playing was not really suited to such a large venue. Conscious of this fact, Chopin requested that another pianist, George Osborne, who was also performing […]
Not up to form, because …Harvey Sach’s comments on pianist Author Rubinstein at age 13: …it is clear that Arthur’s practising began to deteriorate when he was about fourteen years old. He would mechanically play through one-handed exercises and use his free hand to feed himself chocolates or cherries, while he read a book that he had propped up on […]
Composing for elephantsIgor Stravinsky’s Circus Polka: For a Young Elephant to be performed by young elephants (a collaboration with American choreographer George Balanchine. It ended up being performed by older elephants – the main star being Big Modoc (41 years of age). Each elephant wore a join pink tutu. Source: Dixon, Gavin “Igor Stravinsky’s pachyderm polka”, Classic […]
A Cantata for DogsBetween 1911 and 1914, Nicolas Medtner stayed at Khlebnikovo, a house on the Osipov estate in the village of Trakhaneyevo. There were visits by the family, brothers Karl and Alexander and sister Sofiya, with their children. Karl’s daughter Vera brought her dachshund with her and would join her uncle Kolya [Nicolas] and Flix [Nicolas’ fox […]
Jan Lisiecki on interpretationMy approach is to sit with the score and make my decisions about what Andante means or what piano means in a certain context; often you go back to recordings and find that nobody’s ever really played it that way. You ask yourself ‘Why is that? Did I misread or misinterpret something? Or is this […]
No art is equal to music“I firmly believe, nor am I ashamed to assert, that next to theology no art is equal to music; for it is the only one, except theology, which is able to give a quiet and happy mind. This is manifestly proved by the fact that the devil, the author of depressing care and distressing disturbances, […]
