Category: The creative process

  • Habit is stronger than willpower or inspiration

    In writing, habit seems to be a stronger force than either willpower or inspiration. Consequently there must be some little quality of fierceness until the habit pattern of a certain number of words is established. There is no possibility, in me at least, of saying, “I’ll do it if I feel like it.” One never…

  • Trombone Shorty on writer’s block

    Sometimes, I’ll work through it, and sometimes, you know, you might have to make a couple of test bottles or test wines, and it helps you get closer.  But if I don’t stop, I might get on the machine here and make five tracks, but I know that they’re not really worth anything.  I’m just…

  • Language at its most powerful

    Language is at its most powerful when it disturbs, not by arriving at insights/understandings, but by creating possibilities. – Thomas Ogden T. Ogden, Reveries and Interpretations: Sensing Something Human, Lanham, Roman & Littlefield, 2004, p. 219.

  • Tchaikovsky’s compositional process

    “You ask if in composing this symphony I had a special programme in view. To such questions regarding my symphonic works I generally answer: nothing of the kind. In reality it is very difficult to answer this question. How interpret those vague feelings which pass through one during the composition of an instrumental work, without…

  • Nick Cave on the creative process

    What makes a great song great is not its close resemblance to a recognizable work. Writing a good song is not mimicry, or replication, or pastiche, it is the opposite. It is an act of self-murder that destroys all one has strived to produce in the past. It is those dangerous, heart-stopping departures that catapult…

  • Bernstein on composing

    “There is something very satisfying about composing…you are letting yourself go, you write in a kind of trance, feeling you are doing very well. The next day you are quite capable of seeing that it wasn’t all that good, but that doesn’t matter so much.” Leonard Bernstein, 1971 Cited at: Leonard Bernstein (@LennyBernstein) “There’s something…

  • Art is an immense forest

    In the world, in life, and in nature, there is nothing but beautiful tales, and when the door opens, enter and accept it with all your soul. Art is an immense, eternal forest, where the trees stand as sparsely or as densely as you wish. The moon, sun and all kinds of glittering stars move…

  • Nick Cave on the creative process

    Worry less about what you make — that will mostly look after itself, and is to some extent beyond your control, and perhaps even none of your business — and devote yourself to nourishing this animating spirit. Bring all your enthusiasm to bear on the development of that good and essential force. This is done…

  • What is imagination?

    What is Imagination? We talk much of Imagination. We talk of Imagination of Poets, the Imagination of Artists &c; I am inclined to think that in general we don’t know very exactly what we are talking about. Imagination I think especially two fold. First: it is the Combining Faculty. It brings together things, facts, ideas,…

  • New art and the old formulae

    An art gathers new material usually by an original rejection of old formulae, a gesture of negation. At the beginning, this gesture is conscious, defiant, it lacks any other reason for existence than the very healthy one that dogma is death. In the turmoil of growth and expansion, this negation and denial loses its identity…

  • Positive change through creativity

    You need something like Sesame Street to sort of increase the volume of good in the world. And also to know that through creativity, you can make change. Positive change can occur if you’re willing to see a problem and try to fix it and do it creatively. — Trevor Crafts Steve Rose, “The Secret…

  • The career of a musician compared to other arts

    The career of a musician out to be — it is, actually, and in many ways — different from the careers of artists in other fields of art.  All comparisons of the other arts with music are necessarily somewhat superficial.  The art of music needs, essentially, not much contact with social groups, or concern with…

  • Obedience and liberty in creativity

    A great work, I believe, is made out of a combination of obedience and liberty. Such a work satisfied the mind, together with that curious thing which is artistic emotion. Stravinsky said, “If I were permitted everything, I would be lost in the abyss of liberty.” On the one hand he knew the limits, on…

  • Feed the inner beast

    Lou Dorfsman, design chief for CBS Radio and later the CBS Television Network for over 40 years, once said, “In reality, creativity is the ability to reach inside yourself and drag forth from your very soul an idea.” However, nothing comes from nothing. You must continuously feed the inner beast that sparks and inspires. I…

  • The double life of an artist

    People are mistaken thinking that the creative artist uses art to express what he feels at the very moment of experience. Joy and sorrow are feelings expressed retrospectively. Without any particular cause for rejoicing I can be immersed in a mood of happy creativity and, conversely, I can produce, when cheerful, a piece saturated in…

  • Waiting for inspiration

    The composer does not sit around wait wait for inspiration to walk up and introduce itself … Making music is actually little else than a matter of invention aided and abetted by emotion. In composing we combine what we know of music with what we feel. — George Gershwin Isaac Goldberg. Tin Pan Alley. New…

  • Write over improvise

    If Heaven has bestowed on you a fine imagination, you will often be seated at your piano in solitary hours, as if attached to it; you will desire to express the feelings of your heart in harmony, and the more clouded the sphere of harmony may perhaps be to you, the more mysteriously you will…

  • Shedding light on what is invisible

    When we create something, whether it’s a one-woman show, a video animation, a poem, a song, whatever—we’re taking what’s inside of us and stepping it out. Now it can be shown or heard. Now it can be experienced, transmitted. Now it can be shared. When it’s shared, parts of us that were once invisible, hidden,…

  • The healing power of creativity

    So creativity helps us to be seen, expressed, and healed. This is fantastic! But I just recently had a bit of an epiphany and tapped into a deeper truth while talking with my old love. Being expressed, healed, and seen is actually a service to humanity. A gift to the world. When we are expressed,…

  • The source of inspiration

    For me, inspiration comes from a bunch of places: desperation, deadlines… A lot of times ideas will turn up when you’re doing something else. And, most of all, ideas come from confluence — they come from two things flowing together. They come, essentially, from daydreaming. . . . And I suspect that’s something every human…

  • Whatever we are faced with, people will continue to create

    Gus Fairbairn (aka Alabaster dePlume) on the challenges of the 2020 pandemic: There is an invitation for me to respond to this pandemic with frustration, but it has allowed me the time to not spend all summer playing festivals and actually focus on my own creativity. It’s all gold. Go forth in the courage of your love as…

  • You don’t need permission to create

    Gus Fairbairn (aka Alabaster dePlume) on the success of his album, To Cy & Lee: I was not expecting that with this piece of work. I made them not thinking that anyone would want to listen to them. It all goes to show that no one will give you permission to make the great things…

  • An artist’s personal growth

    Funnily, my deep conviction is that no idea or concept of true artistic importance can be imparted or transferred. The real things are those that you grow yourself in your own garden, without anyone overseeing. In that sense art is the land of absolute sole responsibility. There is nothing that cannot be challenged, but in…

  • Put creativity into everything

    “When you put creativity into everything, everything becomes available to you.” – Robert Rodriguez, filmmaker Cited in: Nathalie Sejean, “30 Piece of Advice from Robert Rodriguez to Lead a Creative Life”, Mentorless, 4 September 2015, https://www.mentorless.com/2015/09/04/30-piece-of-advice-from-robert-rodriguez-to-lead-a-creative-life/, accessed 28 October 2020

  • Achieving great things

    “To achieve great things, two things are needed: a plan and not quite enough time.” – Leonard Bernstein

  • Chopin and counterpoint

    With regard to counterpoint in Chopin’s music, you might be interested in the conversation that Chopin had not long before his death with the painter Eugène Delacroix. Delacroix was one of a handful of quite intimate friends of Chopin’s. In his diary, he mentions how he had picked up Chopin in a carriage, and they…

  • Busoni on invention

    I came to think that every notation is already the transcription of an abstract invention. From the instant the pen takes hold of it, the idea loses its original feature. … The invention (Einfall) becomes a sonata, a concerto: it is already an arrangement of the original. From this first transcription to the second, the…

  • The reach of art

    “Art — reaches out to one specific person (even and especially if that person is imaginary.” Todd Brison, “A Warning Letter to All Writers”, Medium, 25 August 2020, https://medium.com/better-marketing/a-warning-letter-to-all-writers-df00d53f8795, accessed 4 September 2020.

  • Relationship with the muse

    I need time to be idle in order to experience and romance my muse, Music, my lifelong partner. In some ways, when I think about the enforced thirty minute practice sessions and much-resented violin lessons during Friday recess which introduced us during my early childhood, our story feels a bit like the plot of a…

  • A pen and a hen

    “A pen is to me as a beak is to a hen.” John Ronald Reuel Tolkien, in an interview with Philip Norman. “The Prevalence of Hobbits”, The New York Times, 15 January 1967, http://movies2.nytimes.com/books/01/02/11/specials/tolkien-mag67.html (accessed 20 July 2020)

  • I live in a world of my imagination

    I confess that I live only in my surroundings and in myself. I can conceive of no greater pleasure than sitting in my chair at this desk and looking at the walls around me day by day and night after night. In these pictures I do not see what you see; in the trees outside…

  • Creative people produce being

    “Creative people, as I see them, are distinguished by the fact that they can live with anxiety, even though a high price may be paid in terms of insecurity, sensitivity, and defenselessness for the gift of the “divine madness,” to borrow the term used by the classical Greeks. They do not run away from non-being,…

  • The worker and his object

    “In all types of creative work the worker and his object become one, man unites himself with the world in the process of creation.” — Erich Fromm

  • Art isn’t your pet

    "Art isn't your pet – it's your kid.  It grows up and talks back to you."  Joss Whedon, screenwriter

  • The creative urge

    “The creative urge is the demon that will not accept anything second rate.” —Agnes de Mille (1905-1993), American dancer and choreographer. Gardner, Kara Anne. Agnes de Mille: Telling Stories in Broadway Dance. United States, Oxford University Press, 2016.

  • A hunch

    Logically, a hunch makes as much sense as saying, horses have tails; therefore, all tails have horses.”  But in the zany world of films you don’t explain hunches — you just live and die by them. Frank Capra (1971) The Name Above the Title: An Autobiography.  Macmillan, p. 123. 

  • The necessity of the serial method

    Boulez declares: “Any composer of our time who has not felt the necessity of the serial method is worthless.”  Omit the word “not,” and I agree. Ned Rorem (2000) Lies: A Diary 1986-1999.  Cambridge: MA: Da Capo Press, p.69.

  • Artists and originality

    Is genius original? What is original? Originality wasn't a must in Mozart's day. He was like everyone else, only more so. Like everyone else – but no one was like him. Artists don't necessarily feel more deeply than you or me; it's just that they can take the fugitive feelings we all recognize and congeal…

  • The excitement of all possibilities

    “Without leaps of imagination, or dreaming, we lose the excitement of all possibilities. Dreaming, after all, is a form of planning.” Gloria Steinem, writer http://www.gloriasteinem.com  

  • The cycle of masterpieces

    “Only mediocrities progress. An artist revolves in a cycle of masterpieces, the first of which is no less perfect than the last.” – Oscar Wilde, in a letter to the editor of the Pall Mall Gazette, 22 September 1894

  • We can’t all play first violin

    “If all would play first violin, we could not obtain an orchestra. Therefore esteem every musician in his place.” — Robert Schumann Robert Schumann (translated by Henry Hugo Pierson), Advice to Young Musicains [Musikalische Haus- und Lebens-Regeln]. New York: J. Schuberth & Co. https://www.gutenberg.org/files/28219/28219-h/28219-h.htm, accessed 29 August 2021.

  • Discovery

    “Discovery is seeing what everybody else has seen, and thinking what nobody else has thought.” Albert Szent-Györgyi , American bio-chemist.

  • Technology and the future of music

    The future direction of music demands that musicians today lose themselves in technology and learn from their mistakes. In the past, musicians tended to view technology as a nuisance—something someone else did so they could be left alone to create. But technology and music are merging rapidly—forcing musicians to view software as part of their…

  • The limits of imagination

    You’re travelling to another dimension, a dimension not only of sight and sound… but of mind. A journey into a wondrous land, whose boundaries are only that of the imagination… you’re entering… the Twilight Zone… – Rod Serling, The Twilight Zone

  • Following the crowd

    “The man who follows the crowd will usually get no further than the crowd. The man who walks alone is likely to find himself in places no one has ever been before.” Alan Ashley-Pitt (Francis Phillip Wernig) Cited in: Eda LeShan (1973) The Wonderfujl Crisis of Middle Age.  New York: Warner Books, p. 304.

  • The effort is better than rest

    “Writing music is seventy-five per cent an intellectual activity.  This effort is often more pleasant for me than having a rest.” Conversation with Ravel, recalled by Robert de Fragny, Echo liberté, 7 November 1950. Cited in: Nichols, Roger (1987) Ravel Remembered.  London: Faber & Faber., p. 61.

  • A man’s money

    “Every man’s work, whether it be literature or music or pictures or architecture or anything is always a portrait of himself and the more he tries to conceal himself the more clearly will his character appear in spite of him.” Samuel Butler, The Way of the Flesh  (1903). Forgotten books, p. 60. Cited at Google…

  • Ravel’s compositional process

    Robert de Fragny recalled a conversation with Ravel about his compositional process: The G major Concerto took two years of work, you know.  The opening theme came to me on a train between Oxford and London. But the initial idea is nothing.  The work of chiseling then begun.  We’ve gone past the days when the…

  • Start with one note

    Ravel in conversation with Mme André Bloch: “I don’t have ideas.  To begin with, nothing forces itself on me.” “But if there’s no beginning, how do you follow it up? What do you write down first of all?” “A note at random, then a second one and, sometimes, a third.  I then see what results. …

  • Bernstein’s television appearances

    Bernstein is intent on demonstrating that the inevitable doesn’t just happen. It comes from intense work. To show this, he restores a handful of Beethoven’s discarded sketches to the score so that we can hear how the Fifth would have sounded if Beethoven had retained his first (or second or 10th) thought. Some discarded passages…

  • The musical mosaic

    “Music is for me like a beautiful mosaic which God has put together. He takes all the pieces in his hand, throws them into the world, and we have to recreate the picture from the pieces.” Jean Sibelius, quoted by Jalmari Finne to Anna Sarlin, 28th June 1905. Cited at: www.sibelius.fi [accessed 31 Mar 2010].

  • Misprints remain

    “Some misprints remain on my scores, because for some reason I have always been in a rush to get the proofs to the publisher by the deadline. In the orchestral parts everything has usually been corrected.” Jean Sibelius, to Jussi Jalas, 27th July 1942 Cited at: www.sibelius.fi [accessed 31 Mar 2010].

  • Art to be virtuous

    Any artist knows that the space between the stage where the work is too unformed to have committed itself and the stage where it is too late to improve it can be as thin as a needle.  Genius perhaps consists in opening out this needle-like area until it covers almost the whole of the working…

  • Guiding concepts of artistic creation

    “…few of us talk and write about the bigger picture of how our musical and tactical efforts are guided by three distinctly non-musical concepts that don’t get talked and written about often or openly enough: positive vision, abundant thinking, and a sense of self-worth. Thanks to technology, we now live in a world of vast…

  • Britten on composing

    “Composing is like driving down a foggy road toward a house.  Slowly you see more details of the house – the colour of the slates and bricks, the shape of the windows.  The notes are the bricks and mortar of the house.” – Benjamin Britten. Cited in: Jarski, Rosemarie (2005) Great British Wit.  London: Ebury…

  • The progress of an artist

    What happens is a continual surrender of himself as he is at the moment to something which is more valuable. The progress of an artist is a continual self-sacrifice, a continual extinction of personality. – T. S. Elliot, Tradition and the Individual Talent (1919)

  • Is it worth writing?

    “Never compose anything unless the not composing of it becomes a positive nuisance to you.” Gustav Holst Cited in: Classic FM, May 2011

  • Transformation of art

    “Art does not progress – it transforms itself.” – François-Joseph Fétes Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 191.

  • The essential part of creativity

    “The essential part of creativity is not being afraid to fail.” Edwin Land, American scientist and inventor.

  • A musician’s canvas

    “A painter paints pictures on canvas. But musicians paint their pictures on silence.” -Leopold Stokowski, conductor

  • Problem solving with creativity

    “Creativity can solve almost any problem — the creative act, the defeat of habit by originality, overcomes everything.” — George Lois, American art director, designer and author. G. Lois, Damn good advice (for people with talent!): how to unleash your creative potential by America’s master communicator, London: Phaidon Press, 2012.

  • George Sand on Chopin’s compositional process

    “His creation was spontaneous and miraculous. He found it without seeking it, without forseeing it. It came on his piano suddenly, complete, sublime, or it sang in his head during a walk when he was impatient to play it to himself. But then he began the most heart-rending labor I ever saw. It was a…

  • Escaping the every day world

    “Those around me refuse to accept that I could never live in the everyday world of things and people.  Hence the irrepressible need to have to escape from myself, and go off on adventures which seem inexplicable because no one knows who this man is – yet maybe he’s the best part of me!  Anyway,…

  • Nino Rota on happiness and music

    “When I’m creating at the piano, I tend to feel happy; but – the eternal dilemma – how can we be happy amid the unhappiness of others? I’d do everything I could to give everyone a moment of happiness. That’s what’s at the heart of my music.” Nino Rota, Italian composer. Cited at: Wikipedia.

  • Harmann on orchestration

    “To orchestrate is like a thumbprint. I can’t understand having someone else do it. It would be like someone putting color to your paintings.” – Bernard Hermann on orchestration. Hall, Roger L., A Guide to Film Music, p. 43.  Cited at Wikipedia.

  • Goldsmith on film scoring

    “Working to timings and synchronising your musical thoughts with the film can be stimulating rather than restrictive. Scoring is a limitation but like any limitation is can be made to work for you. Verdi, except for a handful of pieces, worked best when he was ‘turned on’ by a libretto. The most difficult problem in…

  • The pros and cons of imagination

    “My imagination makes me human and makes me a fool; it gives me all the world and exiles me from it.” Ursula Kroeber Le Guin, American author. Cited at: Quotationsbook

  • Brahms on inspiration

    Johannes Brahms wrote to Clara Schumann. whom he greatly admired: It is from you that I am constantly learning that one cannot obtain vital force out of books, but only out of one’s soul.  One must draw inspiration not from without, but from within. Cited in: Goss, Madeleine & Schauffler, Robert (1943) Brahms The Master.…

  • An artist can change his perspective

    An artist groping his way forward can open a secret door and never understand that this door hid an entire world. So it is that, if a man who passes for the father of a school, because he determined it, one day shrugs his shoulders and renounces it, that by no means discredits the school.…

  • Accomplishing great things

    “To accomplish great things we must first dream, then visualize, then plan… believe… act!” – Alfred Montapert, Author Cited at: QuotationsBook

  • How caffeine can cramp creativity

    (250, 308, ‘How Caffeine Can Cramp Creativity’, ‘how-caffeine-can-cramp-creativity’, ‘ Caffeine can boost energy, reduce fatigue, and increase short term concentration and problem solving skills. However, creativity is haboured in a less focused mind: Creative insights and imaginative solutions often occur when we stop working on a particular problem and let our mind move on to…

  • Mood lighting to boost creativity

    A study published in the Journal of Environmental Psychology has concluded that the level of lighting in a room can impact the level of creative thinking. Anna Steidle and Lioba Werth concluded that “darkness increases freedom from constraints, which in turn promotes creativity.” A dark environment “elicits a feeling of freedom, self-determination, and reduced inhibition,…

  • Freedom for music

    “In order for music to free itself, it will have to pass over to the other side – there where territories tremble, where the structures collapse, where the ethoses get mixed up, where a powerful song of the earth is unleashed, the great ritornelles that transmutes all the airs it carries away and makes return.”…

  • Bacall on imagination

    “Imagination is the highest kite one can fly.” – Lauren Bacall, American actress Cited at: QuotationsBook

  • Playing with fantasy

    “Without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of the imagination is incalculable.” – Carl Jung, Swiss psychiatrist and founder of Analytical Psychology Quoted at QuotationsBook  

  • Salvation by imagination

    “An idea is salvation by imagination.” – Frank Lloyd Wright, American architect

  • Content of art

    How can you expect a beholder to experience my picture as I experienced it? A picture comes to me a long time beforehand; who knows how long a time beforehand, I sensed, saw, and painted it and yet the next day even I do not understand what I have done. How can anyone penetrate my…

  • The inner drama of man

    It is not what the artist does that counts. But what he is. Cézanne would never have interested me if he had lived and thought like Jaques-Emile Blanche, even if the apple he had painted had been ten times more beautiful. What interests us is the anxiety of Cézanne, the teaching of Cézanne, the anguish…

  • Beauty

    The academic teaching on beauty is false. We have been misled, but so completely misled that we can no longer find so much as a shadow of a truth again. The beauties of the Parthenon, the Venuses, the Nymphs, the Narcisusses, are so many lies. Art is not the application of a canon of beauty,…

  • The subject of art

    Abstract art is only painting. And what’s so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint. It is the object which aroused the artist,…

  • Learn the rules like a pro

    “Learn the rules like a pro so you can break them like an artist.” Attributed to Pablo Picasso, painter

  • Doing what I can’t do

    “I am always doing what I can’t do yet in order to learn how to do it”. – Van Gogh, painter, in a letter to Anthon van Rappard, 1885  

  • The art within

    “Only art experienced within, in which the personality plays a creative role can be of interest …To achieve this, those of you who are not already in this sense dead, must die an expiatory death of all superficiality, of all that you have already learnt, of all encumbrances and of all that is false. Then,…

  • Application of talent

    “…all talent, all application will not suffice if one’s whole life is not directed towards being a mediator of great thoughts and feelings. Every deed, yes, every thought leaves its trace on the personality. One must live a life of purity in every detail, even down to the morsel one is putting into one’s mouth.…

  • The experience of composition

    “I am not suited to ‘writing music’. All has to be experienced.” -Jean Sibelius Cited in:Goss, Glenda (2009) “Sibelius”. Chicago: The University of Chicago Press, p. 6.

  • Spontaneity and art

    Alexander Gow, musician in the band Oh Mercy on spontaneity of artistic creation: [Spontaneity is] when art is expression, and that’s what I’m interested in. If, like you said, there’s a spontaneity to it and it’s an extension of a certain kind of moment or feeling, and if you’re clever enough to express that through…

  • Anxiety

    “Anxiety is the handmaiden of creativity”. — Chuck Jones, animator Goleman, D., Kaufman, P., & Ray, M. (1993) The Creative Spirit. New York: Plume.

  • Imagination plus innovation

    “You have all the reason in the world to achieve your grandest dreams. Imagination plus innovation equals realization.” Denis Waitley, American author

  • Evolving recordings

    Gwilym Gold has released an album that never plays the same way twice. Developed in collaboration with Lexxx and scientists from Goldsmiths University in London, Gold says the system, called Bronze, “makes the music more engaging, similar to a live performance. Every time it’s played, it’s renewing itself.” Mark Savage, “Gwilym Gold releases ‘constantly evolving…

  • Self expression

    “My interest lies in my self-expression — what’s inside of me — not what I’m in.” – John Turturro, American actor Cited at: QuotationsBook  

  • Creativity

    “Creativity is inventing, experimenting, growing, taking risks, breaking rules, making mistakes, and having fun.” — Mary Lou Cook, American community activist and author Reagan, M., Phillips, B. (1995)  The All-American Quote Book. United States: Harvest House, p. 68.

  • A task no longer

    “Set me a task in which I can put something of my very self, and it is a task no longer. It is joy and art.” -Carman Bliss, Canadian Poet Cited at QuotationsBook  

  • Old into new

    An old thing becomes new if you detach it from what usually surrounds it. — Robert Bresson, French filmmaker J. Butler, Star Texts: Image and Performance in Film and Television, Detroit, Wayne State University Press, 1991, p. 170.

  • Empty pockets

    “Empty pockets never held anyone back. Only empty heads and empty hearts can do that.” – Norman Vincent Peale, American author and preacher Cited at QuotationsBook  

  • The potential of an artist

    “How important is it to catch up with yourself? There are enormous forces lurking in each person, but many people die without having discovered this. Of course it was clear at first glance that Mozart was a genius. But we don’t know whether anybody suspected the great gifts of the young Wagner. Nobody could guarantee…

  • Simon on improvisation

    “Improvisation is too good to leave to chance.” -Paul Simon, singer & composer Cited at Aphorism.ru. Accessed 31 March 2013. 

  • Tips for composers

    Rob Deemer highlights several aspects needed for a composer to survive in the artistic community: – ability to accept “failure” (entering competitions, etc.) – maintaining a “stubbornness” to achieve recognition – promoting not only your best works, but also occasionally enjoying the success of your “foibles” – having a sense of “who you are” as…

  • I dream …

    “I dream, therefore I exist.” —August Stringberg, A Madman’s Defence (Le plaidoyer d’un fou)

  • Creativity between now and Tuesday

    “Creativity is a highfalutin word for the work I have to do between now and Tuesday.” – Ray Kroc, founder of McDonald’s corporation  

  • Motion and art

    “The statue is concentrated in one moment of perfection. The image stained upon the canvas posses no spiritual element of growth or change. If they know nothing of death, it is because they know nothing of life, for the secrets of life and death belong to those, and those only, whom the sequence of time…

  • The creative person

    The thing that makes a creative person is to be creative and that is all that there is to it. — Edward Albee, American playwright  Kolin, Philip (ed.) (1988) Conversations with Albee.  Jackson: University Press of Mississippi, p.35.

  • Feeling a bond with your instrument

    “Research in Finland has uncovered the benefits of feeling a bond with your instrument. 51 per cent of musicians surveyed reported that they were united with my instrument/voice during performance that there is no difference between us. When this bond is complete, performers may enter in a state of intense concentration, causing them to lose…

  • The possibilities of creativity

    “The possibilities of creative effort connected with the subconscious mind are stupendous and imponderable. They inspire one with awe.” – Napoleon Hill, American author Quotations Book  

  • The addictive nature of song writing

    “You know it’s sort of addictive because there is all this gold just floating in the ether around you. The process of song writing is this process of just discovering and putting together these beautiful animals that live on their own and run around the world and make people feel good or go on trips…

  • The importance of music in pantomime

    “In pantomime every single episode, each movement in each episode (its plastic modulations)—as well as the gestures of every character and the groupings of the ensemble—are determined precisely by the music, by its changes in tempo, its modulations, its overall structure. In pantomime the rhythm of the movements, gestures, and groupings synchronized precisely with the…

  • An author’s perogative to be critical

    “A writer is unfair to himself when he is unable to be hard on himself.”— Marianne Moore, American poet Donoghue, Denis (1988) Reading America.  University of California Press, p. 244

  • The path of an artist

    “A good traveler has no fixed plans and is not intent upon arriving. A good artist lets his intuition lead him wherever it wants.” – Lao Tzuo, Chinese philosopher. Cited at: QuotationsBook

  • Imagination

    “Imagination decides everything: it creates beauty, justice and happiness, which is the world’s supreme good.” – Pascal Blaise, French mathematician, physicist, and philosopher. C. Prendergast, A history of modern French literature: from the sixteenth century to the twentieth century, Princeton, Princeton University Press, 2017, p. 237.

  • Beethoven’s compositional process

    Beethoven was revising Fidelio when he wrote to Georg Freiedrich Treitschke (who was helping to revise the libretto) (1): Now, of course, everything has to be done at once; and I could composer something new far more quickly than patch up the old with something new, as I am now doing. For my custom when I…

  • The artist should not be shabbily treated

    “I like honesty and sincerity; and I maintain that an artist should not be shabbily treated.” – Beethoven, in a letter to C. F. Peters, 5 June 1822 E. Anderson, Letters of Beethoven (1961), cited in Oxford Dictionary of Quotations. United Kingdom, Oxford, OUP Oxford, 2014.

  • Work joyfully and peacefully

    If you will become possessed of this faith you will not need to bother about your success or failure, for success will come.  You will not need to be anxious about the results, and will work joyfully and peacefully, knowing that right thoughts and right efforts will inevitably bring about right results. — James Allen…

  • The nature of music

    “A verbal art like poetry is reflective; it stops to think. Music is immediate, it goes on to become.” – W. H. Auden, English Poet Auden, Wystan Hugh ‎(1988) The Complete Words of Auden, Princeton University Press, vol. 3, p. 251.

  • The true success of the journey

    To travel hopefully is a better thing than to arrive, and the true success is to labour. — Robert Louis Stevenson, Virginibus Puerisque, 1881 Stevenson, R. L. (1895). Works. United States: P. F. Collier, Vol. 2, p. 119

  • World order

    “The world is not to be put in order; the world is order, incarnate. It is for us to harmonize with this order.” – Henry Miller, American writer and painter

  • Einstein on creativity

    “Creativity is intelligence having fun.” – Albert Einstein.

  • The effect of audience reception on Stravinsky’s compositional process

    Stravinksy on the public not particularly liking his music: Their attitude certainly cannot make me deviate from my path. I shall assuredly not sacrifice my predilections and my aspirations to the demands of those who, in their blindness, do not realize that they are simply asking me to go backwards … I could not follow…

  • Stravinsky on composition

    “For me, as a creative musician, composition is a daily function that I am compelled to discharge. I compose because I am made for that and cannot do otherwise … I am far from saying that there is no such thing as inspiration; quite the opposite. It is found as a driving force in every…