“Is there not an art, a music, and a stream of words that shalt be life, the acknowledged voice of life?” – William Wordsworth, writer Cited at QuotationsBook  

The only way to take classical music out of the museum is to stop playing it in a museum.  The adventurous cellist Matt Haimovitz said as much recently, when he toured dive bars, pizza parlours, and roadhouse juke joints with the [Bach] Cello Suites.  “People were reaction to the music as it was going by,” […]

Taneyev was critical of Tchaikovsky’s Fourth Symphony. Tchaikovsky’s response ended with: “I can see you laughing as you read all of this, you sceptic and mocking-bird.  In spite of your great love of music it seems you still can’t believe that a man can express his inmost feelings in his compositions.  You just wait!” Cited […]

“Mastery passes often for egotism.” — Johanne Goethe, German author Johanne Goethe (1906) The Maxisms and Relfections.  Translated by Bailey Saunders.  New York: The Macmillan Company.  Digitally archived at: https://www.gutenberg.org/files/33670/33670-h/33670-h.htm, accessed 12 Setpember 2021

…He who lies here was possessed. Seeking one goal, caring only for one result, suffering and sacrificing for one purpose, those did this man go through life… If there are some of us who can still feel a sense of total dedication in these fractured times, let us meet at his grave. Has it not […]

Title: The Lord has done great things for us Text: Psalm 125 (Psalm 126). R. v.3 Composer: Greg Smith Instrumentation: SATB, flute., 2 clarinets, Horn, trumpet, 2 trombones, organ     Related products:     – SATB and organ Product medium: PDF score and part Sample:

“Success is not the place one arrives but rather the spirit with which one undertakes and continues the journey.” Alex Noble Cited at: Quotations Book

Numbering of psalms. Different translations of the psalms have been used. For consistency, the psalms are labelled by the Hebrew numbering first, followed by the Greek number in parenthesis.

Cello and piano String ensemble

Chopin had a free sense of rhythm.  In 1842, Chopin was giving a lessen to Wilhem von Lenz when Meyerbeer walked in.  The Mazurka (op. 33 no. 3) was being played.  von Lenz recounts: Meyerbeer had seated himself; Chopin let me play on. “That is two-four time,” said Meyerbeer. For reply, Chopin made me repeat, […]