Britten on composing“Composing is like driving down a foggy road toward a house. Slowly you see more details of the house – the colour of the slates and bricks, the shape of the windows. The notes are the bricks and mortar of the house.” – Benjamin Britten. Cited in: Jarski, Rosemarie (2005) Great British Wit. London: Ebury […]
Lord, Every Nation on Earth will Adore You (setting ii) – Psalm 71 (72)TITLE: Lord, every nation on earth will adore you (setting ii) TEXT: Psalm 71 (72): 1-2, 7-8, 10-13. R. cf. v.11 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano PRODUCT MEDIUM: PDF score and part
Gershwin: the life at the partyGershwin was often the life of a party, entertaining on the piano. He said: “The trouble is, when I don’t play at a party I don’t have a good time.” Cited in: Greenberg, Rodney (2008) George Gershwin. New York: Phaidon Press, p.47.
Schiff on Schumann"I know of no work by Schumann that is not wonderful and inspiring. One must leave every note just as he wrote it and experiment in order to find the correct balance and equilibrium. With Schumann there is always this burning inventiveness, this unbelievable inspiration." – András Schiff. Cited in Julian Haylock ""The Music of […]
The decentralization (or de-hallification) of classical musicFor generations, the main places to hear contemporary classical music have been the big institutions, primarily at downtown and university concert halls and opera houses, and sometimes in churches and other rather formal settings. That’s all changing. Young composers today are increasingly finding — or creating — outlets for their music in rock and jazz […]
Minuet ITitle: Minuet I Composer: Greg Smith Instrumentation: Piano Duet Level: Piano I – level I (5 finger position, left and right hands) Product medium: PDF score & MP3 accompaniment track (Audio sample of accompaniment track only)
The silent bass clarinetDuring a rehearsal of Schubert’s Unfinished Symphony: Stokowski had inserted a gratuitous part for bass clarinet. “It so happens,” wrote O’Connell, “that the player of this instrument was a quite temperamental gentleman as well as a composer, and when he saw Stokowski’s addition to Schubert’s score, he was possessed by fury.” When he expressed his […]
Music is the real lifeIn modern life electricity plays a great part. Sometimes it is used destructively – sometimes creatively – but there is another power which is like electricity, only far more subtle and penetrating. This power is all-pervading. It is omnipresent. If we understood this power we would know the secret of the magical influence of music. […]
Air IVTitle: Air IV Composer: Greg Smith Instrumentation: Piano Duet Level (Piano I): 1.2 – five finger position extended to 6/4 through to octave (left and right hands) Product medium: PDF score & MP3 accompaniment track (Audio sample of accompaniment track only)
The art of whistlingIn mid-nineteenth century England, whistling was a common source of entertainment and as part of the general reception to a piece of music. An article in March 1854 in The Musical Times reported: We were sorry to hear the vile practice of whistling again carried on to some extent at the concert; were the well-meaning […]