The soloist will get his way

Pianist Freddy Kempf on the recording process:

Solo recording is the most indulgent type … it’s 90 per cent down to me. The producer can shout at me all he likes, but if I am set on doing it my way, there’s few people who can stop me!

– Freddy Kempf, in an interview with Jeremy Pound, BBC music, April 2011, p.16.

 


Posted

in

by


Featured Content

Beethoven’s shutters
Beethoven moved often, and his landlords were not always keen to have him back. While he was working on the Ninth Symphony in 1923, Beethoven couldn’t stand his present lodgings in Hetzendorf, as the landlord, Baron Pronay, constantly bowed to him when they met.He sought lodgings where he had previously stayed in Baden.  The landlord […]
Music and time
“There is also in this [nineteenth-century romantic] music an extraordinary sense of control over the passage of time; a moment will be held still as if suspended, and then released with a rush. Einstein has told us that time is relative, flexible and elastic; I have noticed these qualities whenever I have tried to play […]
Bad effects of music
“By and large, though, there are few, if any, bad side effects of music, and music can often work where no medication can.” – Oliver Sacks Cited in: Inge Kjemtrup, “The power of music therapy”, Pianist, Issue 59, April-May 2011. Warners Group Publications, p.66.
Bernstein’s television appearances
Bernstein is intent on demonstrating that the inevitable doesn’t just happen. It comes from intense work. To show this, he restores a handful of Beethoven’s discarded sketches to the score so that we can hear how the Fifth would have sounded if Beethoven had retained his first (or second or 10th) thought. Some discarded passages […]
How piano wires have changed throughout history
While piano wire has changed over the centuries from iron to steel of varying qualities, researchers were surprised to find that the sound produced by the instruments’ wires has remained largely unchanged. “I thought as the wire evolved — as the tension evolved — harmonicity would also change over time,” Purdue University physics professor Nicholas […]
Many an Orpheus and Arions make up a Bach
Johann Matthias Gesner was a colleague of Johann Sebastian Bach at St. Thomas’ School, Leipzig. He later worked on a commentary of the Roman author Quintilian (c. 35-100 A. D.). He included a comparison of Bach with the Classical lyre player: All these (outstanding achievements) … you would reckon trivial could you rise from the dead and […]
Up close and personal with Glenn Gould
A film has been made of the personal side of Canadian pianist Glenn Gould: During his lifetime Gould was often portrayed less as a real person than a collection of tics — perhaps even more so in the many books and films about him that have been issued since his death. At times he has […]
LA no longer the center for film scoring
“…a panel of experts warn that film, TV and videogame scoring continues to leave L.A. because producers are unwilling to meet union demands. “If work continues to dry up at the current rate, they speculated, one or more of the three remaining large scoring stages (Fox, Sony, Warner Bros.) could close “within the next two […]
Brahms’ post-concert adventure
Brahms was invited to the family of one of his students, Fräulein von Meyensbug, in Detmol : The Meysenbug ladies proved very prim and conventional. Brahms was ill at ease. He was so afraid of shocking his aristocratic hostesses that he hardly knew what to say or how to behave. Their young nephew Carl, however, […]
Intensity of sound
Go to more crosswords