Bad effects of music

“By and large, though, there are few, if any, bad side effects of music, and music can often work where no medication can.”

– Oliver Sacks

Cited in: Inge Kjemtrup, “The power of music therapy”, Pianist, Issue 59, April-May 2011. Warners Group Publications, p.66.


Featured Content

Bugs Bunny can save classical music
“The future of classical music lies with the younger generation, which must be weaned away from the cacophony of rock and the neon glitter of “American Idol”-type TV shows. Instead of dragging children to concerts, where they squirm with boredom, rent some old movies featuring soundtracks of classical music. Even toddlers can be exposed to […]
You Have Been Our Refuge – Psalm 89 (90)
TITLE: You Have Been Our Refuge (In Every Age, O Lord, You Have Been Our Refuge) TEXT: Psalm 89 (90):3-6, 12-14, 17 INSTRUMENTATION: SATB and piano PRODUCT MEDIUM: PDF score and part SAMPLE:
The Poet and the Muse
Poet, you are no liar. The world that you imagine is the real one. The melodies of the harp alone know truth, and in this life they can be our only true guides. Cavafy, “The Poet and the Muse”
I dream …
“I dream, therefore I exist.” —August Stringberg, A Madman’s Defence (Le plaidoyer d’un fou)
Ode II
Title: Ode II Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: MP3 recording     Related products:     – Ode II (PDF score) SAMPLE:
Teddy Bear’s Picnic
American composer John Bratton wrote the music for “Teddy Bear’s Picnic” in 1907. It was first published by M. Witmark & Sons as a piano work titled “The Teddy Bears Picnic. Characteristic Two Step”. Irishman Jimmy Kennedy added the lyrics in 1932. Dance Band leader Henry Hall hosted a radio program on the BBC which […]
Beethoven in code
The first four notes of Beethoven’s Fifth Symphony are the morse code for the letter V.
Strings
Cello and piano String ensemble
A new overture – fast
Beethoven’s revised version of Fidelio was due to be premiered on the 23rd May 1814. Beethoven had planned to write a new overture for the performance. He was still yet to complete it before the final rehearsal on the 22nd May. The night before, he was dining out with his physician (Dr. Bertolini). After dinner, he took a menu, […]
A duet under the bed
It was in the eventful year, then, of 1813—the year of “Il Figlio per Azzardo”, with its obbligato accompaniment for lamp-shades of “Tancredi” and of “L’Italiana in Algeri”—that Rossini was writing one morning in bed, when the duet on which he was engaged fell from his hands. “Nothing easier”, an ordinary composer would say, “than […]