“John Cage once said he couldn’t abide the Dominant Seventh, and the saxophone.” Ned Rorem (2000) Lies: A Diary 1986-1999.  Cambridge: MA: Da Capo Press, p.65.

But weeds have this virtue: they are not easily discouraged; they never lose heart entirely; they die game. If they cannot have the best, they will take up with the poorest; if fortune is unkind to them today, they hope for better luck tomorrow; if they cannot lord it over a corn-hill, they will sit […]

Each art endeavors to isolate itself, to remain independent of all others. But a play without music is like a feast without wine. Music cleanses the soul from the dust and dross of every day life and seems to say to every one: ‘You are no longer in your office, in the barracks, or in […]

Johannes Brahms wrote to Clara Schumann. whom he greatly admired: It is from you that I am constantly learning that one cannot obtain vital force out of books, but only out of one’s soul.  One must draw inspiration not from without, but from within. Cited in: Goss, Madeleine & Schauffler, Robert (1943) Brahms The Master. […]

Schubert was familiar with Kreutzer’s Wanderlieder song cycle (written in 1817). Spaun twice told the following anecdote of his friend’s reaction to the Wander-Lieder shortly after their publication: “We once found him playing through Kreutzer’s Wanderlieder, which had just appeared. One of his friends [ Anselm Hüttenbrenner] said ‘Leave that stuff alone and sing us […]

“Imagination decides everything: it creates beauty, justice and happiness, which is the world’s supreme good.” – Pascal Blaise, French mathematician, physicist, and philosopher. C. Prendergast, A history of modern French literature: from the sixteenth century to the twentieth century, Princeton, Princeton University Press, 2017, p. 237.

“Of course, almost anybody can memorize things, especially music. It’s like the ABCs and, for most, fun to do. I’ve taught music in middle school programs and have been surprised at the hefty repertoires of popular music that 12- to 16- year olds commit to memory. To boot, they knew when I made a mistake […]

In the nineteenth century, the cello was regarded as an important solo instrument.  George Bernard Shaw wrote in 1890 “I am not fond of the violoncello: ordinarily I had as soon hear a bee buzzing in a stone jug.” Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 71.

“If you would hit the mark, you must aim a little above it; Every arrow that flies feels the attraction of earth.” Henry Wadsworth Longfellow (1807-1882), American poet.

Composer: Joe HisaishiArranger: Greg SmithTitle: “Master of the Tomb”, from The Boy and the HeronInstrumentation: Piano Solo This item is available from Sheet Music Direct and Sheet Music Plus.