Shaw on the cello

In the nineteenth century, the cello was regarded as an important solo instrument.  George Bernard Shaw wrote in 1890 “I am not fond of the violoncello: ordinarily I had as soon hear a bee buzzing in a stone jug.”

Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 71.


Posted

in

by


Featured Content

What we play
“What we play is life.” Louis Armstrong, Jazz musician Cited at: Satchmo, “Louis Armstrong Quotes and Tributes.” https://www.satchmo.com/louisarmstrong/quotes.html, accessed 6 September 2021.
Collaborative piano
PERFORMANCE BIOGRAPHY GREG SMITH Certifications and degrees: – 1996: Associate of Music, Australia (A. mus. A.) in piano performance – 1998: Licentiate of Music, Australia (L. mus. A.) in piano performance – 2001: Bachelor of Music, with honours, class I (University Medal).  University of Newcastle.  Double major in piano and composition. – 2003: Master of […]
No art is equal to music
“I firmly believe, nor am I ashamed to assert, that next to theology no art is equal to music; for it is the only one, except theology, which is able to give a quiet and happy mind. This is manifestly proved by the fact that the devil, the author of depressing care and distressing disturbances, […]
Deereeree the Wagtail, and the Rainbow
Title: Deereeree the Wagtail, and the Rainbow Text: Aboriginal dreamtime legend. Based on the account by Catherine Langloh Parker. Composer: Greg Smith Instrumentation: Voice, Flute, 2 Clarinets in Bb, Cello and Piano Product medium: PDF score and part Sample:
My God, My God, Why Have You Abandoned Me? – Psalm 21 (22)
Title: My God, my God, why have you abandoned me? Text: Psalm 21 (22): 8-9. 17-20. 23-24. R. v. 2 Composer: Greg Smith Instrumentation: SATB and organ Product medium: PDF score and part Sample:
Fantasia on Ding Dong Merrily on High
Composer: Greg Smith (based on a 16th-century French melody)Title: Fantasia on Ding Dong Merrily on HighInstrumentation: Cello and piano Available from Sheet Music Direct and Sheet Music Plus. SAMPLES:
Trust yourself
All this, my friend, will time provide, And of itself, itself will give; Soon as you in yourself confide, You know the way to live! — Mephistopheles to Faust Johann Wolfgang von Goethe, Faust: A Tragedy, translated by Lewis Filmore, (London: William Smith, 1847), p. 79. First published in the German as Faust: eine Tragödie, […]
Transforming Bach’s Cantatas into an opera
Theatre director Herbert Wernicke has taken six of Bach’s Cantatas dealing with the frailty of the human condition and presented them in a staging of mundane human activities.  Albrecht Puhlmann, the general director of Stuttgart Opera, states that “From the woman with the baby to the coffin being carried out, life and death is being […]
Bruckner the count
Anton Bruckner developed a condition call numeromania that compelled him to count everything – cathedral gables, stars, leaves on the trees; even the number of bars in his lengthy symphonies. Source: Lawrence, Christopher (2001) Swooning.  Sydney: Random House, p.70.
Artists and originality
Is genius original? What is original? Originality wasn't a must in Mozart's day. He was like everyone else, only more so. Like everyone else – but no one was like him. Artists don't necessarily feel more deeply than you or me; it's just that they can take the fugitive feelings we all recognize and congeal […]