Schumann chasing a girl

Schumann once attended a masquerade during the carnival of 1830, in company with his friend Rosen, for the purpose of paying some attention to a pretty but otherwise insignificant girl.He knew that she would be present at the ball, and, as a pretext for approaching her, put a poem in his pocket.Fortune favored him: he met and recognized her; but, as he was about to take a carnival liberty, and hand her the poem, the girl’s mother stepped threateningly between, “Keep you poems to yourself, Mask: my daughter does not understand poetry.”

Josef Wilhelm von Wasiliewski: Life of Robert Schumann. Boston, 1871
Cited at: Story Compositions


Posted

in

by


Featured Content

The framework of a symphony
The framework of a symphony must be so strong that it forces you to follow it regardless of the environment and circumstances: [it is] an “ethical necessity”. Jean Sibelius, to Jussi Jalas, 1 October 1939 Cited at: www.sibelius.fi [accessed 31 Mar 2010].
Improvising a fugue
On 1 May 1747, Bach met Friedrich II, King of Prussia, in the Potsdam city palace (where chamber music was usually played from 7-9pm daily).  Johann Forkel recalled: in 1802 The king used to have every evening a private concert, in which he himself generally performed some concertos on the flute.  One evening, just as […]
Einstein on Mozart
Einstein wrote that Mozart’s music “was so pure that it seemed to have been ever-present in the universe, waiting to be discovered by the master.” Lyth, David (2019) The Road to Einstein’s Relativity. Boca Ranton: CRC Press, p.131.
Boyd Neel on Vaughan William’s Fantasia on a Theme of Thomas Tallis
Boyd Neel was the first conductor to record Vaughan William’s Fantasia on a Theme of Thomas Tallis in 1935. He wrote: I often feel that this wonderful work is perhaps the greatest of all achievements in string orchestral composition. Boyd Neel (1986) The Story of an Orchestra. London: Vox Mundi, p.22. Cited in: Holmes, John […]
The value of preparation
“Be ready when opportunity comes…. Luck is the time when preparation and opportunity meet.” — Roy D. Chapin Jnr., Chariman American motors association J. Roberts, The Big Book of Business Quotations: Over 1,400 of the Smartest Things Ever Said about Making Money, Simon and Schuster, 2016.
No art is equal to music
“I firmly believe, nor am I ashamed to assert, that next to theology no art is equal to music; for it is the only one, except theology, which is able to give a quiet and happy mind. This is manifestly proved by the fact that the devil, the author of depressing care and distressing disturbances, […]
The influence of music
Conductor Leopold writes: There are millions who find solace in music – it opens for them the sun-bathed gates of inspiration – through music they know that behind the sordid, grim surface of life there nevertheless exists an ideal and external Beauty. Music powerfully stimulates the growth in us of impulses we had never suspected […]
Beyond the comfort zone
I believe one shouldn’t be too comfortable when listening to really great music.  To appreciate good music, one must be mentally alert, and emotionally receptive.  You can’t be that when you are sitting at home with your feet on a chair. No, listening to  music is more strenuous than that.  Music is like the poetry;  […]
American Western Film Soundtracks
“Morricone brought the electric guitar to the western. The great thing, though, about the electric guitar in the western is that there were no electric guitars, but somehow he did it so committedly that nobody ever questioned it. It was only much later people started to say, ‘How come there’s an electric guitar part there?’ […]
Hans Zimmer on writing pop songs
Ask him to write a song, though, and he’ll likely turn you down on the basis that he has a problem with “any form of authority, and the authority that is put upon you of writing a song”. “Verse, chorus, verse, chorus, middle eight…” he says. “It’s always the same bloody structure. I end up […]