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Now I am attracted only to music which I consider to be better than it can be performed. Therefore I feel (rightly or wrongly) that unless a piece of music presents a problem to me, a neverending problem, it doesn’t interest me too much. For instance, Chopin’s studies are lovely pieces, perfect pieces, but I […]

Beethoven was revising Fidelio when he wrote to Georg Freiedrich Treitschke (who was helping to revise the libretto) (1): Now, of course, everything has to be done at once; and I could composer something new far more quickly than patch up the old with something new, as I am now doing. For my custom when I […]

He was a wonderful teacher. He is extremely articulate and very demanding. He made no concessions to my age. In my first lesson, I was playing a Schubert piano sonata, and the first chord took 20 minutes. I played it again and again, and Brendel wandered around the room saying: “No, balance of sound wrong […]

Conductor Malcolm Sargent on Vaughan Williams’ Sixth Symphony: A frightening symphony. For a symphony to be frightening is perhaps a good thing. Here we have the complete testament of a man who, in his seventies, looks back on the human sufferings of his time. I never conduct the Sixth without feeling that I am walking […]

The Belgian violinist Eugène Yasÿe frightened Busoni by playing the Bach Chaconne and Paganini Caprices on a kit violin in the darkened passages of a hotel.  ”It was like the ghost of Paganini, purposely exaggerating all the worst mannerisms of the typical virtuoso, and Busoni could never forget the sight of Ysaÿe’s vast bulk and […]

“There is something very satisfying about composing…you are letting yourself go, you write in a kind of trance, feeling you are doing very well. The next day you are quite capable of seeing that it wasn’t all that good, but that doesn’t matter so much.” Leonard Bernstein, 1971 Cited at: Leonard Bernstein (@LennyBernstein) “There’s something […]

TITLE: Let the Lord Enter (Setting II) TEXT: Psalm 23 (24): 1-6. R. vv.7, 10 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano PRODUCT MEDIUM: PDF score and part SAMPLE:  

Leopold Stokowski conducted the American premier of Berg’s opera Wozzeck in 1930 (a joint effort of The Philadelphia Orchestra, the Phildelphia Grand Opera, and Curtis Institute).  Abram Chasins recalls a rehearsal: I attended his second rehearsal with the orchestra in the pit and singers on the stage.  After some twenty minutes of singing and acting, […]

“I don’t mind telling you that I have written a tiny, tiny pianoforte concerto with a tiny, tiny wisp of a scherzo.  It is in B flat, and I have reason to fear I have worked this udder, which has always yielded good milk before, too often and too vigorously.” – Brahms on his Second […]