E. T. A. Hoffmann wrote in 1813 that instrumental music is the most romantic of all the arts  – one might almost say, the only genuinely romantic one – for its sole subject is the infinite.  The lyre of Orpheus opened the portals of Orcus – music discloses to man an unknown realm, a world […]

Logically, a hunch makes as much sense as saying, horses have tails; therefore, all tails have horses.”  But in the zany world of films you don’t explain hunches — you just live and die by them. Frank Capra (1971) The Name Above the Title: An Autobiography.  Macmillan, p. 123. 

Strengthened by his initial triumph and by daily evidences of the ever-mounting appreciation and support of the Philadelphia’s new claim to artistic fame, Stokowski tried once again to convince the board that first-class musical results were impossible unless the orchestra rehearsed exactly where they performed.  The men engrossed in the financial problems of balancing budgets […]

A craftsman replicating large medallions has discovered medieval Scottish notation of instrumental music.  The notation is sequences of 0s, Is and IIs. Barnaby Brown, a specialist in early Scottish music, notated that, “This discovery is potentially of great significance to our understanding of medieval and Renaissance instrumental music – the normally ‘unwritten’ practice of the elite court […]

In an interview with Beethoven scholar K. E. L. Nohl, Schubert’s friend, Moritz von Schwind revealed that Schubert sold his books so that he could get tickets to the third version of Beethoven’s opera, Fidelio. Ferdinand Luib In an interview with Ferdinand Luib, Anselm Hüttenbrenner stated that Schubert’s favourite works were Beethoven’s Fifth Symphony, Mass […]

He [John Holmes] entered my room around midnight and said, “‘Eureka!’ shouted Arnold Schoenberg. ‘I’ve found the cure for the common chord.’” Ned Rorem (2000) Lies: A Diary 1986-1999.  Cambridge: MA: Da Capo Press, p.104.

“No matter if you’re an artist, a desk jockey, or anything in between – give yourself permission to include regular (dare I say daily?) reinvigoration in your work ethic. Silence. Slowness. Clarity. The machine doesn’t work so well without them.” Kim Pensinger, from Living and Singing on Interest in the WTO Blog

I. Andante II. Poco Adagio III Rondo all’Ongarese Chamber music in the eighteenth century was written for and performed for the aristocracy. Music was an aesthetic pleasure: thus an emphasis was placed on musical balance and clarity in the context of an expressive style: evident particularly in the first two movements of this trio, which […]

Title: Abstraction XIV Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: MP3 recording     Related products:     – Abstraction XIV (PDF score) SAMPLE:

Greg Smith’s experience as a composer and chamber musician means that he is comfortable scoring in a variety of styles and instrumental forces: – chamber (e.g., piano, cello and piano, string quartet) – choral – orchestra – wind orchestra Greg can arrange in a variety of styles, from classical to jazz. Contact Greg Smith ARRANGMENTS, […]