As to what concerns the knotty question in general of how far instrumental music may go in the representation of thoughts and events, many are here too anxious in their attitude. We are certainly wrong if we believe that composers set out pen and paper to realize the miserable intention of expressing, describing, or painting […]

When I was 19 years old I joined Columbia Artists in New York.  It was my first management and a momentous event in my life.  All of a sudden here I was, part of what was perceived to be one of the most prestigious such organizations in the country.  It was a big time and […]

“…Moon, a 20-year veteran of the Philadelphia Inquirer before he left to write his new book, “1,000 Recordings to Hear Before You Die,” believes the biggest difference between old reviews and reviews now is that in the past, the critic’s job was to give readers a deeper sense of the work. But blogs’ rise has […]

Leonard Bernstein and Mildred Spiegel attended the Boston Symphony Orchestra season in 1933. They sat, she remembers, in the second balcony “under one of the male Greek nude statues.” One evening, during a standing ovation for the orchestra’s music director, Serge Koussevitzky, Lenny “just sat there” clapping very softly. “What’s the matter,” I asked, “didn’t […]

We grow great by dreams. All big men are dreamers. They see things in the soft haze of a spring day or in the red fire of a long winter’s evening. Some of us let these great dreams die, but others nourish and protect them, nurse them through bad days till they bring them to […]

“Punch recipe (for Satu’s christening party) 1 l water + sugar + jam + brandy or spirit. Add 2 bottles of wine when everything is completely cold. Add a few drops of Bergamot oil in a lump of sugar, which must be melted in the water. (N.B. All mineral waters make the punch black.” Jean […]

Feeling creates thought, men willingly agree; but they will not so willingly agree that thought creates feeling, though this is scarcely less true. — Nicolas Chamfort (Sébastien-Roch Nicolas de Chamfort) S. Chamfort, Maxims and Considerations of Chamfort, Volume 2, Trans. E. Mathers, Golden Cockerel Press, 1926, p. 22.  

Bassoon

“Applause is a receipt, not a bill.” – Artur Schnabel, pianist Cited at Aphorism.ru. Cited 30 March 2013. 

The piano technician, Franz Mohr, observed: Horowitz was consistent in all that he did. His rehearsal was always on Saturday at 4:00 p.m., his performance was on Sunday. And I always had plenty of time to prepare his piano for the concert. Of course Horowitz would have never stolen my preparation time in order to […]