Oysters and champaign before a concert

“Sibelius and his wife Aino were in Gothenburg for a concert, the composer disappeared shortly before he was due to conduct.  Aino found him, immaculately dressed in his white tie and tails, drinking champagne and eating oysters at a nearby cafe.  Returning with him to the venue, she thought her husband was fine until he began the Oceantides overture.  After a few bars, alas, he stopped the orchestra and started to give them notes … convinced that he was at a rehearsal.”

Mourby, Adrian (2011) “15 Hungry Composers”, BBC Music, May 2011, p.50.


Posted

in

by

Tags:


Featured Content

Ravel’s fine attributes as a composer
On his tour to America in 1928, Ravel was highly praised by music critics.  In the New York Times, Olin Downeswrote: Never to have composed in undue haste; never to have offered the public a piece of unfinished work; to have experienced life as an observant and keenly interested beholder, and to have fashioned certain […]
Arthur Rubinstein’s youthful practice habits
Interviewer: So many children hate to take music lessons. Can you understand this? Rubinstein: Oh, yes, I was one of them. You see, music lessons mean always this horrible dictatorial attitude of the professors. They slap four fingers and aarh; they shout at you: “Can’t you learn that? You must practice scales!” I mean, it […]
Waste no note
“Never write an unnecessary note. Every note must live.” Jean Sibelius, in a radio interview with Kalevi Kilpi, 1948) Cited at: www.sibelius.fi [accessed 31 Mar 2010]. 
Performance practice issues in Russian Piano Music
ABSTRACT The nineteenth and twentieth centuries witnessed the rapid growth of musical culture in Russia. This resulted in a large repertoire of piano music — ranging from miniatures to virtuosic etudes and sonatas. Growing out of the nineteenth century romantic tradition, and highly influenced by the social conditions of the time, Russian composers developed a distinctive style which […]
Super-Hooper-Dyne Lizzies
Music and time
“There is also in this [nineteenth-century romantic] music an extraordinary sense of control over the passage of time; a moment will be held still as if suspended, and then released with a rush. Einstein has told us that time is relative, flexible and elastic; I have noticed these qualities whenever I have tried to play […]
Debussy improvising
Debussy would sit himself down without speaking at the piano of the little study-cum-library and start to improvise. Anyone who knew him can remember what it was like. He would start by brushing the keys, prodding the odd one here and there, making a pass over them and then he would sink into velvet, sometimes […]
Dress regulations for Handel’s Messiah
In the eighteenth century, hooped skirts were a popular choice of ladies dress attire as they enabled a dramatic entrance, and also flattered the figure when pregnant. They did take up considerable space though. For the performance of the Messiah Handel instructed the ladies to come without hooped skirts, and gentlemen without their swords. The […]
Abstraction XVIII
Title: Abstraction XVIIIComposer: Greg SmithInstrumentation: PianoProduct medium: PDF scoreRelated products: – Abstraction XVIII (mp3 audio) Sample:
Alleluia! Sing to Jesus (Hyfrydol) – SATB, brass, and organ
Title: Alleluia! Sing to Jesus (Hyfrydol) Composer: Rowland Prichard; arr. Greg Smith Text: Rev 5:9; William C. Dix Instrumentation: SATB, brass (hrn, tpt, 2 tb), and organ Product medium: PDF score and parts Samples: