Do everything promptly

“During a very busy life I have often been asked, How did you manage to do it all? The answer is very simple. It is because I did everything promptly.  Procastination … is fatal.”

Richard Tangye (1833-1903), British manufacter of engines and other heavy equipment.

Thomas Sharper Knowlson, The Art of Success, London: F. Warne and Company, 1903, p. 89. 

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A matter of tempo
Bruno Walter, Friedrich Buxbaum, and Arnold Rosé were to perform Erich Korngold’s Piano Trio in D in 1910. Korngold was only 13 at the time. These three great musicians were to remain Korngold’s devoted friends and admirers, and they frequently performed his subsequent works. Previous to this performance, Bruno Walter had known of the boy’s […]
First class regardless
The composer Karol Szymanowski was born into a landowning class family.  Even, later in life, when short for money, he always retained the mindset of this class: At one time in Vienna, Szymanowski discovered that he did not have enough money to travel to Cracow, so some friends of him lent him the required sum. […]
Habit is stronger than willpower or inspiration
In writing, habit seems to be a stronger force than either willpower or inspiration. Consequently there must be some little quality of fierceness until the habit pattern of a certain number of words is established. There is no possibility, in me at least, of saying, “I’ll do it if I feel like it.” One never […]
Beethoven’s letter
A letter written by composer Ludwig van Beethoven has emerged in Germany after being left in a will. In the six-page document of Beethoven’s scrawled corrections, he complains about his illness and a lack of money. Experts were already aware of the 1823 letter’s existence, but say it is of historic value. BBC News, 11 […]
The power of critics
“Critics sometimes say, about this or that new work – it should betaken up by all our major orchestras and recorded.  It never is.  Critics have great power, but they have no power.” Ned Rorem (2000) Lies: A Diary 1986-1999.  Cambridge: MA: Da Capo Press, p.27.
Brahm’s introduction in Vienna
in 1862, Brahms called to see Julius Epstein, a professor at the Vienna Conservatory. “Joachim tells me – ha! – that you have written some really interesting music. Sent me your piano sonata in F minor to look over. Bring any new compositions with you?” he added, noticing Johanne’s portfolio. “I have two piano quartets […]
Rachmaninoff and phrasing
A student of Rachmaninoff, Ruth Slenczynska, recalled: I remember how Rachmaninoff explained to me the problem of phrasing: he showed me an elastic band and stretched it slightly, then allowed it to bounce back; next, he stretched it beyond a certain point, and it snapped. He meant to say that no part of a musical […]
Beethoven’s prank
Beethoven was a musician for the Electoral court and chapel in Bonn. Franz Wegeler, a friend of of Beethoven’s, recounted an incident where the young Beethoven was to accompany a singer, Ferdinand Heller, in a church service. Heller prided himself on being able to sing in tune, no matter how complicated the accompaniment. Beethoven asked Heller if he […]
A bewitched recording
Early phonograph recordings were a little rough.  In 1889, pianist Hans von Bülow was asked to play into a phonograph in America: After playing upon a pianoforte, from which issued sounds compared to the soft and dreamy gurgle of a brook, the far-off sighign of the night wind and the roar of the cataract, he […]
Conducting gloves
The practice of wearing white gloves whilst conducting was common in the nineteenth century. The Musical times reported in July 1884 that: “A German conductor,” we are told, “in order that the public may be more deeply impressed with the feeling of grief intended to be produced by the Funeral March in Beethoven’s ‘Eroica Symphony,’ wears […]