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It happens because you identify so completely with the composer, you’ve studied him so intently, that it’s as though you’ve written the piece yourself. You completely forget who you are or where you are and you write the piece write there. You just make it up as though you never heard it before. Because you […]

“There’s a phrase I’ve often heard from audience members at popular musicals (but, oddly, never anywhere else): the show, they’ll say, “really took me out of myself”.  They are saying something basic and profound about the ecstasy of art, the act of being taken out of one’s normal state to a different level of being.  […]

My approach is to sit with the score and make my decisions about what Andante means or what piano means in a certain context; often you go back to recordings and find that nobody’s ever really played it that way. You ask yourself ‘Why is that? Did I misread or misinterpret something? Or is this […]

I. Prélude II. Menuet III. Claire de Lune IV. Passepied The term “bergamasque” refers to the ancient city of Bergame, located forty kilometres east of Milan. The character of its citizens (“rustic and clumsy”) was personified by a series of dances and the Italian comic character Harlequin (1572). This comic character is evident particularly in […]

As to what concerns the knotty question in general of how far instrumental music may go in the representation of thoughts and events, many are here too anxious in their attitude. We are certainly wrong if we believe that composers set out pen and paper to realize the miserable intention of expressing, describing, or painting […]

Cyril Smith recounts Rachmaninoff’s stage presence: Those who were fortunate enough to hear him play will almost certainly remember this very tall, melancholy figure, with his graying hair in a crew cut and his deeply-lined face set in a somber expression, walking unwillingly to the piano as though he hated the very sight of  it.  […]

The relativity of all these key-colour associations was illustrated during a debate on the whole subject organised in London in 1886 by the Journal “Musical Opinion”. That section of the audience that maintained the definite existence of “key colour” by which it could aurally identify a key was submitted to a test, a well known […]

Education & research services in the fields below are offered both: – online – face to face Skill areas: – Aural and harmony – Analysis – Music history – Piano tuition How can Emotemuse help you? – Tuition – Research and analysis Contact   THE CRAFT OF THE MUSICAL LANGUAGE Greg Smith completed a Bachelor […]

“The English may not like music, but they absolutely love the noise it makes.” – Sir Thomas Beecham Cited in: Jarski, Rosemarie (2005) Great British Wit.  London: Ebury Press, p. 198.