Stokowski and his audience

The conductor Leopold Stokowski had a love hate relationship with his audience:

He wooed them and cajoled them, flattered them and then gently reproved them.  When they grew fidgety, he shamed them into attentiveness and concentration.  “Please don’t do that,” he once admonished an audience of program shufflers.  “We work hard all week to give you this music.  Now you must do your part.  I’m here to give you my best.  If you don’t want it, then I’ll give you nothing.”

This was one of his many set speeches, memorized and repeated almost verbatim, time and time again before new audiences that displayed anything less than worshipful attention.  Later, when his programming grew more adventuresome and the audience grew liberated enough to hiss, Stokowski was cunning and hedged, saying, “That’s all right! If you feel strongly enough and need to express your feelings, that’s good! What is bad is to sit and feel nothing!”

Chasins, Abram (1979) Leopold Stokowski: A Profile.  London: Robert Hale, p.35.


Posted

in

by


Featured Content

Autumn Leaves
Pianist Roger Williams on his hit recording of Autumn Leaves (which was recorded three days after signing his contract with Kapp records): “I said, ‘You mean ‘Falling Leaves’? I didn’t even know the title,” Mr. Williams told the Los Angeles Times in 1996. “I stayed up Friday and then Saturday night working on an arrangement.” […]
New art and the old formulae
An art gathers new material usually by an original rejection of old formulae, a gesture of negation. At the beginning, this gesture is conscious, defiant, it lacks any other reason for existence than the very healthy one that dogma is death. In the turmoil of growth and expansion, this negation and denial loses its identity […]
Start from scratch every time
Benjamin Appl on working with Dietrich Fischer-Dieskau: When people ask me about what I learned from Fischer-Dieskau, that’s what I always come back to: of course I could say a hundred things about technique and his reputation, but what I found most inspiring was how he created everything afresh. Whenever he was teaching he’d prepare […]
Art and the strength of the former times
In 1824, Schubert wrote a letter to his friend Schober concerning a general complacency about the role of art at the time: The idle time, which hinders the fulfillment of all greatness, destroys me too. Even golden verse is foolishly mocked by the people, no longer attentive to its powerful message. Only by the gift […]
Memories (The Boy and the Heron)
Composer: Joe HisaishiArranger: Greg SmithTitle: “Memories”, from The Boy and the HeronInstrumentation: Piano Solo This item is available from Sheet Music Direct and Sheet Music Plus.
The health benefits of tuning a piano
“Tuning a piano also tunes the brain, say researchers who have seen structural changes within the brains of professional piano tuners.” BBC News, 29 August 2012. Click here to view article  
Kreutzer’s Wanderlieder and Schubert
Schubert was familiar with Kreutzer’s Wanderlieder song cycle (written in 1817). Spaun twice told the following anecdote of his friend’s reaction to the Wander-Lieder shortly after their publication: “We once found him playing through Kreutzer’s Wanderlieder, which had just appeared. One of his friends [ Anselm Hüttenbrenner] said ‘Leave that stuff alone and sing us […]
Matheson and Handel’s duel
Two flamboyant young musickers leave the town of Lübeck as soon as can be. For they have learned that the successful candidate must marry the daughter of the man in whose shoes they would fain have trodden the pedals. One look at the daughter was enough. She was not fair to see, and her years […]
Stokowski and singers
Leopold Stokowski was staging a concert version of Mussorgsky’s Boris Godunov. Natalie Bodanya, one of the finest singers at Curtis at the time, refused to audition, noting how “impersonal and impossible Stokowski was. Stokowski had filled all the roles, with the exception of that the Princess. “Is it possible” Stokowski asked Sylvan [Sylvan Lenin, a […]
The artist’s soul
There is, behind the soul and the whole life of the artist, perhaps a suffering soul … The moment one day will come in which perhaps yourself – if you possess a soul as I wish to believe – you will be able to see through feeling without any explanation. – Dimitri Mitropoulos to Leonard […]