I believe one shouldn’t be too comfortable when listening to really great music.  To appreciate good music, one must be mentally alert, and emotionally receptive.  You can’t be that when you are sitting at home with your feet on a chair. No, listening to  music is more strenuous than that.  Music is like the poetry;  […]

“Words are, of course, the most powerful drug used by mankind.” – Rudyard Kipling, British author and poet. Quoted in The Times, 15 February 1923.

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Elgar loved his football, particularly the Wolverhampton team.  His friend Dorebella recalled the first match he attended at Wolverhampton: It all delighted him. The dense crowd flowing down the road like a river; the roar of welcome as the rival teams came on to the ground; the shouts of men calling to their player friends […]

Every day one should at least hear one little song, read one good poem, see one fine painting and–if at all possible–speak a few sensible words. — Johann Wolfgang von Goethe Goethe, Johann (translated by Frederick Ungar & Heinz Goethe, Johann W., Frederick Ungar, and Heinz Norden). Goethe’s world view : presented in his reflections […]

Title: Impromptu (Op. 97, no.5) Composer: Jean Sibelius (arr. Greg Smith) Instrumentation: Trombone and piano Product medium: PDF score and part

In 1800, an improvisation contest occured between Beethoven and the pianist Daniel Steibelt. It was agreed that Prince Lobkowitz would sponsor Steibelt and Prince Lichnowsky sponsor Beethoven, the improvisation contest to take place in Lobkowitz’s palace. As the challenger, Steibelt was to play first. He walked to the piano, tossing a piece of his own […]

Title: In the Sight of the Angels I will Sing your Praises Text: Psalm 137 (138): 1-5, 7-8. R. v.1 Composer: Greg Smith Instrumentation: SATB and piano (unison verses) Product medium: PDF Score and part Sample:    

Before the time of Bach, keyboardists would often only use the middle three fingers of each hand and tended to keep their hands flat. Bach taught his students under the new principle of using all the fingers. Beethoven asked his pupils to curve the hand. Source: Marek, George (1969) Beethoven: Biography of a Genius. London: William […]

Bach, a master of harmony and counterpoint, would not settle for imperfect sounds, no matter where he was.  Johann Reichardt recalled: Johann Sebastian Bach once came into a large company while a musical amateur was sitting and improvising at a harpsichord.  The moment the latter became aware of the presence of the great master, he […]