Schumann on musicAs to what concerns the knotty question in general of how far instrumental music may go in the representation of thoughts and events, many are here too anxious in their attitude. We are certainly wrong if we believe that composers set out pen and paper to realize the miserable intention of expressing, describing, or painting […]
To burn with desire“To burn with desire and keep quiet about it is the greatest punishment we can bring on ourselves.” — Federico García Lorca, Blood Wedding and Yerma A. Flores (ed.), Great Spanish Plays in English Translation, New York, Dover, 1991, p.441.
Waste no note“Never write an unnecessary note. Every note must live.” Jean Sibelius, in a radio interview with Kalevi Kilpi, 1948) Cited at: www.sibelius.fi [accessed 31 Mar 2010].
Old into newAn old thing becomes new if you detach it from what usually surrounds it. — Robert Bresson, French filmmaker J. Butler, Star Texts: Image and Performance in Film and Television, Detroit, Wayne State University Press, 1991, p. 170.
Ravel’s compositional processRobert de Fragny recalled a conversation with Ravel about his compositional process: The G major Concerto took two years of work, you know. The opening theme came to me on a train between Oxford and London. But the initial idea is nothing. The work of chiseling then begun. We’ve gone past the days when the […]
Copland on film musicAmerican composer Aaron Copland on the role of film music: I was very fascinated by the medium because a composer can be a real help in the making of a film. The way you can prove that, of course, is to see a film before the public has seen it, in the studio room, and […]
A noisy neighbourThe Russian composer Sergei Prokofiev was evicted from his lodgings on several occasions on account of the noise which accompanied his endeavors. Eventually he stopped composing at the piano, using it only to test certain harmonic combinations. This practice proved adequate until his work was interrupted one day by the arrival of a policeman: “You […]
Jazz apprenticeships“Why are jazz apprenticeships so vital in the first place? For one thing the music essentially models a community, with every ensemble thriving on communication, a code of ethics and an implicit grasp of roles. Jazz is also still a young music, with about a century of precedent, imperfectly captured on record and poorly served […]
What about me?Songwriter Johnny Green recalled Gershwin bragging about his achievements after a concert, eventually to stop and say: “That’s enough about me. Now what did you think about how I played?” Cited in: Greenberg, Rodney (2008) George Gershwin. New York: Phaidon Press, p.46.
Hough and Schnabel on piano rollsI want to believe in piano rolls. The idea that we can insert an object into a present-day piano and hear long-dead pianists and composers perform again as if they were in the same room is a tantalisingly attractive prospect. It has a magical aura about it. But, I’m afraid, it’s a conjuring trick, or […]
