Word of mouth encore

Leopold Stokowski gave the Philadelphia premiere of Ravel’s Bolero as an “encore” at a Friday afternoon concert.

The newspaper critics had all left the hall, and so once again word of mouth had to prove its effacy, for at the Saturday night concert, after the last number, the audience applauded with unusual fervour and would not let up. Time and time again Stokowski came out to bow and returned to the wings, while the applause grew deafening. They knew what they wanted, and so did Stokowski, but he remained dead-pan. Finally, he walked to the front of the stage, signaled for silence, and wit baby-faced innocence asked quietly, “Would you like to hear it?” All hell broke lose.

Chasins, Abram (1979) Leopold Stokowski. London: Robert Hale, p.102.


Posted

in

by


Featured Content

Learn my name
Stokowski’s ability to inspire musicians was sometimes balanced by the ability to turn them off.  Saidenberg altered me to a remarkable violinist who quit the Philadelphia Orchestra and went on to become America’s greatest authority on constitutional law.  “Raoul Berger was a wonderful violinist in the Philadelphia Orchestra.  One day at rehearsal, Stoki stopped the […]
Beethoven’s contest
In 1800, an improvisation contest occured between Beethoven and the pianist Daniel Steibelt. It was agreed that Prince Lobkowitz would sponsor Steibelt and Prince Lichnowsky sponsor Beethoven, the improvisation contest to take place in Lobkowitz’s palace. As the challenger, Steibelt was to play first. He walked to the piano, tossing a piece of his own […]
The influence of music
Conductor Leopold writes: There are millions who find solace in music – it opens for them the sun-bathed gates of inspiration – through music they know that behind the sordid, grim surface of life there nevertheless exists an ideal and external Beauty. Music powerfully stimulates the growth in us of impulses we had never suspected […]
The Adventurer
Title: The Adventurer (Silent film soundtrack) Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: PDF score Related products: – The Adventurer (MP3 recording) BACKGROUND: FILM: Written by: Vincent Bryan, Charlie Chaplin & Maverick Terrell Starring: Charlie Chaplin, Edna Purviance, Eric Campbell Director: Charlie Chaplin Year of release: 1917 SAMPLES:
First class regardless
The composer Karol Szymanowski was born into a landowning class family.  Even, later in life, when short for money, he always retained the mindset of this class: At one time in Vienna, Szymanowski discovered that he did not have enough money to travel to Cracow, so some friends of him lent him the required sum. […]
Give music to those who love it
“Music must be given to those who love it. I want to give free concerts; that’s the answer.” -Sviatoslav Richter, pianist Bruno Monsaingeon: Introduction to Sviatoslav Richter — Notebooks and Conversations p. XX. Cited at: Wikipedia
American Western Film Soundtracks
“Morricone brought the electric guitar to the western. The great thing, though, about the electric guitar in the western is that there were no electric guitars, but somehow he did it so committedly that nobody ever questioned it. It was only much later people started to say, ‘How come there’s an electric guitar part there?’ […]
Elgar’s distractions
In a radio interview in 1937, Edward Elgar’s violinist friend William H. Reed described Elgar’s “distractions” while composing the violin concerto: I can never play the last movement without seeing the River Wye flowing past the meadow at Hereford where Sir Edward and I used to practise throwing a boomerang in our “off-time” between working […]
Submit file for audio to text transcription
Notes: If you have multiple files to upload, either compress them to a single .zip file or submit a form for each file). If you get an error message during upload, your file size may be too large. Trying compressing the file as a .zip file. Alternatively, get a free Dropbox account, upload the file, […]
Capturing the experience of being alive
In attempting to capture something of the experience of being alive, the words themselves must be alive. Words, when living and breathing are like musical chords. The full resonance of the chord or phrase must be allowed to be heard in all of its suggestive imprecision. We must attempt in our use of language in…our […]