Too much pedal

Johannes Brahms could be incredibly rude, even to his friends. While playing a Beethoven sonata with a cellist friend one day, he applied his piano’s pedals with more enthusiasm than the friend had hoped. “Softer,” he pleaded, “I can’t hear my cello.” “You are lucky,” Brahms replied. “I can.”

Source: N. Slonimsky, Book of Musical Anecdotes


Posted

in

by

Tags:


Featured Content

All the Ends of the Earth – Psalm 97 (98)
Title: All the ends of the earth Text: Psalm 97 (98):1-6. R. v.3 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part SAMPLE:
Abstraction VI
Title: Abstraction VI Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLE:
Collaborative piano
PERFORMANCE BIOGRAPHY GREG SMITH Certifications and degrees: – 1996: Associate of Music, Australia (A. mus. A.) in piano performance – 1998: Licentiate of Music, Australia (L. mus. A.) in piano performance – 2001: Bachelor of Music, with honours, class I (University Medal).  University of Newcastle.  Double major in piano and composition. – 2003: Master of […]
A hundred violins may play softer than one
John Holmes “reiterates that only with a large group can you get a truly soft sound. Sure, a solo fiddle can hold its own against a hundred fiddles: a hundred fiddles are never a hundred times louder than a solo at the same dynamic, since there’s no such animal as “a same dynamic,” or even […]
Teaching method
Success is a staircase
“Success is not a doorway, it’s a staircase.” — Dottie Walters
Personality
“Personality is to a man what perfume is to a flower.” – Charles M. Schwab, The Ten Commandments of Success
Ombra mai fu from Serse (Handel)
Title: “Ombra mai fu” (from Serse) Composer: George Frederic Handel Arranger: Greg Smith Instrumentation: Cello quartet Product medium: PDF score and parts Sample:    
Lord, Send Our Your Spirit – Psalm 103 (104)
Title: Lord, send out your spirit Text: Psalm 103 (104):1. 24. 29-31. 34. R.v.30 Composer: Greg Smith Instrumentation: SA and piano Product medium: PDF score and part Sample:
Gramophone: no substitute for live performance
British conductor Thomas Beecham was not too impressed with early recording technology (the gramophone): It was put to him that for people who lived in remote districts, far from orchestral concerts, the gramophone was an alternative: "It is no alternative to this," he said, waving his arm towards the hall, where the orchestra was waiting […]