Hoffman on technique

Technic  represents the material side of art, as money represents the material side of life.  By all means achieve a fine technic, but do no dream that you will be artistically happy with this alone. 

There is a technic which liberates and a technic which represents the artistic self.  All technic ought to be a means of expression.  It is perfectly possible to accumulate a technic that is next to useless.

 Josef Hoffmann, cited in  Gerig, Reginald (1974) Famous Pianists and their Technique.  Washington: Robert B. Luce Inc., p. 1-2.   

Posted

in

by

Greg

Tags:

,

Featured Content

Music better than it can be performed
Now I am attracted only to music which I consider to be better than it can be performed. Therefore I feel (rightly or wrongly) that unless a piece of music presents a problem to me, a neverending problem, it doesn’t interest me too much. For instance, Chopin’s studies are lovely pieces, perfect pieces, but I […]
A new take on the harpsichord sound
Harpsichordist  Jane Chapman performs both early music and Avante music, including using techniques to use distortion on the harpsichord! “Many early music people are interested in contemporary music, too, and many composers are also interested in early music instruments because they don’t have the baggage of the [classical and romantic periods]. Increasingly, younger generation composers […]
Joyous art
Art that feels like a duty is probably bad art. But most of the art industry is geared towards foisting that kind of art on us. Bad art changes over the centuries far less than we think. Today’s theory-heavy video installations are often modern equivalents of pompous and moralising Victorian paintings. It’s the joyous, uninhibited […]
What is imagination?
What is Imagination? We talk much of Imagination. We talk of Imagination of Poets, the Imagination of Artists &c; I am inclined to think that in general we don’t know very exactly what we are talking about. Imagination I think especially two fold. First: it is the Combining Faculty. It brings together things, facts, ideas, […]
Origins of the name Beethoven
The Beethoven family tree can be traced back to the mid 13th century. The name appears in chronicles of Flemish cities, in parts of northern France, in Mechlin and Antwerp. Two possible theories of the origins of the name are: – van (the) Hof (Beet-Garden) – grower of Beets – after the Belgium town of Betouwe (“be” […]
Let the Lord Enter – Psalm 123 (124)
TITLE: Let the Lord Enter (Setting II) TEXT: Psalm 23 (24): 1-6. R. vv.7, 10 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano PRODUCT MEDIUM: PDF score and part SAMPLE:  
Submit file for audio to text transcription
Notes: If you have multiple files to upload, either compress them to a single .zip file or submit a form for each file). If you get an error message during upload, your file size may be too large. Trying compressing the file as a .zip file. Alternatively, get a free Dropbox account, upload the file, […]
Bernstein as a counterpoint student at Harvard
The composer Harold Shapero, who lived a few doors away from Bernstein in Newton and was a year behind him at Harvard, also noted Bernstein’s cavalier approach to counterpoint studies. “Lenny didn’t come to class at all. I was a dutiful little student. I did my Palestrina stuff and I got an ‘A.’ . . […]
Culture is our fuel
“‘Culture is our petrol,’ says Toumani Diabaté, the Malian kora player who has collaborated with Damon Albarn and Björk, to name but a few. ‘Music is our mineral wealth. There isn’t a single major music prize in the world today that hasn’t been won by a Malian artist.’ ‘Music regulates the life of every Malian’, […]
Bach’s method of keyboard teaching
The teaching methods of Johann Sebastion Bach are recounted by his son, Philip Emanuel Bach: The first thing he did was to teach his pupils his special ways of touching the keyboard. For this he made them practice for months nothing but separate exercises for all the fingers of both hands, with constant attention to […]