Music exists only in a passing of time, racing past us like the mid-nineenth-century trains Ruskin so hated. It is utterly non-fixed, and to focus on one moment is to destroy the whole. It is a forest that we have to pass through, not a single tree that we can contemplate or capture. But, if hearing and seeing beauty have different timetables they both require a sort of repetition in order to be fully appreciated: music needs to be heard many times, and the visual world needs multiple, if consecutive, seconds of looking. Only in such repetition perhaps can we grasp or hold onto beauty.
S. Hough, Rough Ideas: Reflections on Music and More, London, Faber & Faber, 2019, p. 225.
– Stephen Hough
Appreciating beauty
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The political function of music
“There can be no music without an idealogy. The old composers, whether they knew it or not, were upholding a political theory. Most of them, of course, were bolstering the rule of the upper classes. Only Beethoven was a forerunner of the revolutionary movement.” – Dmitry Shostakovich Cited in: Nettl, Paul (1969) The Book of […]
Debussy improvisingDebussy would sit himself down without speaking at the piano of the little study-cum-library and start to improvise. Anyone who knew him can remember what it was like. He would start by brushing the keys, prodding the odd one here and there, making a pass over them and then he would sink into velvet, sometimes […]
You cannot hope for substance“You cannot set art off in a corner and hope for it to have vitality, reality, and substance.” – Charles Ives, American composer
Chopin’s pianistic styleWhile in London, Chopin frequently gave performances at soirées and matinées where he performed Nocturnes, Waltzes, Mazurkas and the Berceuse George Hogarth reported in the Daily News (10 July 1848): He accomplishes enormous difficulties, but so quietly, so smoothly and with such constant delicacy and refinement that the listener is not sensible of their real […]
I’ll Softly SighTitle: I’ll Softly Sigh Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE:
A man’s money“Every man’s work, whether it be literature or music or pictures or architecture or anything is always a portrait of himself and the more he tries to conceal himself the more clearly will his character appear in spite of him.” Samuel Butler, The Way of the Flesh (1903). Forgotten books, p. 60. Cited at Google […]
It’s not hard work“Talent labors, genius creates.” Florestan (one of Schumann’s characters) Robert Schumann,Gesammelte Schriften über Musik und Muisker (Leipzig, 1854), IV. Cited in Weiss, Piero & Taruskin, Richard (2008) Music in the Western World: A History in Documents. California: Thomson, p. 306.
The Battle of the SommeTitle: The Battle of the Somme Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: MP3 download (25 tracks; 73:00) Related products: – Full score (PDF download). 80 pages. Background: In 1916 France was struggling to fend off German occupation. It had become apparent that to break the stalemate Britain may need to increase […]
Quantity of practiceIn the matter of practice, I never urge a student to work so many hours a day. One may be enough. The musician is like a painter, who frequently spends his time in looking at the work he has done, and in thinking what he will make of it, without so much as touching the […]
Music as an emotional scienceMusic sets up a certain vibration which unquestionably results in a physical reaction. Eventually the proper vibration for every person will be found and utilized. I like to think of music as an emotional science. — George Gershwin Daniel Albright. Modern and Music: An Anthology of Sources. Chicago, The University of Chicago Press, p. 388.