Just a few variations

Tchaikovsky was an enthusiastic student at the St. Petersberg Conservatoire.  Anton Rubinstein asked Tchaikvosky to write a series of contrapuntal variations on a given theme.  "I expected that he would present me with about a dozen.  But Tchaikovsky turned up the next class day with more than two hundred!"

Cited in: Hanson, Lawrence and Elisabeth (1965) Tchaikovsky: A New Study of the Man and His Music.  London: Cassell & Company, p.62.


Posted

in

by


Featured Content

The Ruffled Knights
Title: The Ruffled Knights Composer: Greg Smith Instrumentation: Piano Product medium: PDF score
Jazz apprenticeships
“Why are jazz apprenticeships so vital in the first place? For one thing the music essentially models a community, with every ensemble thriving on communication, a code of ethics and an implicit grasp of roles. Jazz is also still a young music, with about a century of precedent, imperfectly captured on record and poorly served […]
A concise rehearsal
Hans Knappertsbusch (1888-1965) was a German conductor. However, he had a dislike of rehearsals. Karajan recalled: One time he was going over Tchaikovsky’s Fifth with the Vienna Philharmonic. He came to the second movement, with the horn solo, and said, “Let’s start.” He did a few bars, stopped, and said, “See you this evening. You […]
Abstraction X
Title: Abstraction XComposer: Greg SmithPerformer: Greg Smith (7 August 2010)Instrumentation: PianoProduct medium: MP3Related products:– Abstraction X (PDF score)
Blue Flemingo
Title: Blue Flemingo Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE:
The creative learning process
“Creativity is a type of learning process where the teacher and pupil are located in the same individual.” — Arthur Koestler
A mushroom anyone?
…everybody was possessed by the Russian passion for gathering mushrooms.  Rivalries ran high, mushrooms were counted and compared, their beauty was discussed.  Rachmaninoff was an early riser and often went alone for a walk in the woods.  He used to return contented and start teasing (he was a great teaser).  One day he badgered us […]
Saint-Saëns on the art of music
The artist who does not feel completely satisfied by elegant lines, by harmonious colours, and by a beautiful succession of chords does not understand the art of music. — Camille Saint-Saëns Cited in Milton Cross David Ewan, Encyclopedia of Great Composers and Their Music, volume 2. Double Day, 1969, p.819.
Start with one note
Ravel in conversation with Mme André Bloch: “I don’t have ideas.  To begin with, nothing forces itself on me.” “But if there’s no beginning, how do you follow it up? What do you write down first of all?” “A note at random, then a second one and, sometimes, a third.  I then see what results.  […]
Mozart’s Pranks
Mozart’s sense of mischief is evident in his behaviour at a performance of The Magic Flute.  Thisis from a letter to his wife Oct 8 & 9 1791: … (1) had a box [in the theatre] this evening and applauded everything vigorously; but He, that Know-it-all, proved to be a real Bavarian; I couldn’t stay […]