Title: Abstraction II Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE:

Fromont published Rêverie years after Debussy had given it to them. By this time, Debussy’s opinion of it had changed: “I regret very much your decision to publish Rêverie… I wrote it in a hurry years ago, purely for material considerations. It is a work of no consequence and I frankly consider it no good.” […]

While in London, Chopin frequently gave performances at soirées and matinées where he performed Nocturnes, Waltzes, Mazurkas and the Berceuse George Hogarth reported in the Daily News (10 July 1848): He accomplishes enormous difficulties, but so quietly, so smoothly and with such constant delicacy and refinement that the listener is not sensible of their real […]

“We have art in order not to die of the truth.“ Friedrich Nietzsche, notebook from the Spring-Summer of 1888, 16 [40]

“Satie said, ‘I want to make a play for dogs, and I [already] have the staging planned. The curtain rises to reveal a bone.’ Poor dogs! After all, it’s their first play. Later one will present more difficult shows to them, but one will always return to the bone.” – Jean Cocteau, playwright Cited in: […]

In the eighteenth century, hooped skirts were a popular choice of ladies dress attire as they enabled a dramatic entrance, and also flattered the figure when pregnant. They did take up considerable space though. For the performance of the Messiah Handel instructed the ladies to come without hooped skirts, and gentlemen without their swords. The […]

“When walking through the valley of shadows, remember, a shadow is cast by a Light.” – H. K. Barclay Cited at: QuotationsBook

Brahms formed a Ladies Choir of about fifty singers: “Fix oder Nix” was the motto he coined for them – “Bang up or nothing”; and he promised to write all the music they could sing if they would meet regularly, and always on time.  He even drew up a set of humorous rules.  “Avertimento” it […]

The famous organist Reincken heard Bach play. Bach improvised for half an hour on the hymn “By the Waters of Babylon”.  Reincken said: “I thought such art was dead, but I see it still lives in you.” Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 58.

The practice of wearing white gloves whilst conducting was common in the nineteenth century. The Musical times reported in July 1884 that: “A German conductor,” we are told, “in order that the public may be more deeply impressed with the feeling of grief intended to be produced by the Funeral March in Beethoven’s ‘Eroica Symphony,’ wears […]