Comfort in the score of Saul

In 1862 Brahms left Hamburg for Vienna.

Brahms was not at all sure that he would remain long in Vienna; but he must have had some premonition that his Hamburg life was nearly over.  He found it hard to say goodbye to his old father and mother; though this time he could leave secure in the knowledge that they would lack for nothing.

“Father”, he said, with a twinkle of his blue eyes, “remember that music is the best remedy for any misfortune.” He pointed to the shelf where his music scores were stacked. “If things ever go badly with you, if you need help, just look through my old copy of Saul.  I think you will find comfort there.”

Sometime later Father Brahms had occasion to remember his son’s parting words about the music cure.  When he opened the score of Saul he found it stuffed with German banknotes!

Source: Goss, Madeleine & Schauffler, Robert (1943) Brahms The Master. New York: Henry Holt and Company, p.175.



Posted

in

by

Tags:


Featured Content

All the Ends of the Earth – Psalm 97 (98)
Title: All the ends of the earth Text: Psalm 97 (98):1-6. R. v.3 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part SAMPLE:
Jean Sibelius: Bagatelles (op. 97)
(i) Humoresque I (ii) Song (iii) Little Waltz (iv) Humorous March (v) Impromptu “Never write an unnecessary note. Every note must live”.1 — Sibelius The miniature is the perfect genre to master this philosophy. Sibelius wrote the Opus 97 Bagatelles in 1920, in between his Fifth and Sixth Symphonies. The quirky nature of these Bagatelles […]
The most powerful drugs
“Words are, of course, the most powerful drug used by mankind.” – Rudyard Kipling, British author and poet. Quoted in The Times, 15 February 1923.
Britten on composing
“Composing is like driving down a foggy road toward a house.  Slowly you see more details of the house – the colour of the slates and bricks, the shape of the windows.  The notes are the bricks and mortar of the house.” – Benjamin Britten. Cited in: Jarski, Rosemarie (2005) Great British Wit.  London: Ebury […]
Stanford on Tchaikovsky
“Tchaikovsky reminded me, in more ways than one, of his countryman Tourgéniew, whom I once met at Madame Viardot’s. He had none of the Northern roughness, was as polished as a Frenchman in his manner, and had something of the Italian in his temperament… For all the belief which he had in himself, he was […]
New art and the old formulae
An art gathers new material usually by an original rejection of old formulae, a gesture of negation. At the beginning, this gesture is conscious, defiant, it lacks any other reason for existence than the very healthy one that dogma is death. In the turmoil of growth and expansion, this negation and denial loses its identity […]
The Lord Hears the Cry of the Poor – Psalm 32 (33)
Title: The Lord hears the cry of the poor Text: Psalm 32 (33): 2-3, 17-19, 23 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Smooth Sailing
Title: Smooth Sailing Composer: Greg Smith Instrumentation: Piano duet Level: Piano 1 – 1.1 (five finger position) Product medium: PDF score (audio of accompaniment track only)
The effect of audience reception on Stravinsky’s compositional process
Stravinksy on the public not particularly liking his music: Their attitude certainly cannot make me deviate from my path. I shall assuredly not sacrifice my predilections and my aspirations to the demands of those who, in their blindness, do not realize that they are simply asking me to go backwards … I could not follow […]
Context and beauty
“When you’re young, you can be taken with the impulse of the moment and the beauty of a phrase, but the older you get, the more you see that the phrase is only beautiful because of the context within which it works.  The melody is only the outward manifestation of something quite deep inside and […]