An old thing becomes new if you detach it from what usually surrounds it. — Robert Bresson, French filmmaker J. Butler, Star Texts: Image and Performance in Film and Television, Detroit, Wayne State University Press, 1991, p. 170.

While writing the lyrics to songs in Beauty and the Beast, Howard Ashman’s health was deteriorating. The composer, Alan Menken, recalls: By a certain point, he wasn’t well enough to travel. Once Disney knew, they brought a lot of the production over to the east coast; he made it through all the last recording sessions. […]

Title: Smooth Sailing Composer: Greg Smith Instrumentation: Piano duet Level: Piano 1 – 1.1 (five finger position) Product medium: PDF score (audio of accompaniment track only)

“Only mediocrities progress. An artist revolves in a cycle of masterpieces, the first of which is no less perfect than the last.” – Oscar Wilde, in a letter to the editor of the Pall Mall Gazette, 22 September 1894

“One should either be a work of art, or wear a work of art.” Oscar Wilde, Phrases and Philosophies for the Use of the Young

Brass Brass ensemble Trombone Piano Piano solo Piano method Orchestra and concert band Concert band Strings Cello and piano String ensemble Vocal and choral General Sacred Woodwind Bassoon

Title: The Lord has done great things for us Text: Psalm 125 (Psalm 126). R. v.3 Composer: Greg Smith Instrumentation: SATB and organ     Related products:     – SATB, woodwind, brass, and organ Product medium: PDF score and part Sample:

Title: Abstraction VII Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLES:

The public concert, as an institution, dates from England from the Restoration period [from the 1660s]; previously music, unless ecclesiastical or dramatic in character, had been essentially the art of a small circle.  The largess of aristocratic patronage and the profits of publication were the composers’ rewards.  But with the middle of the seventeenth century […]

“The more work that you make, the more energy you have to make work.” – Garry Stewart, artistic director of the Adelaide-based Australian Dance Theatre. Edwards, Verity. “Dance maker with edge on top of world”, The Australian, 22 July 2011, p.7.