The composer does not sit around wait wait for inspiration to walk up and introduce itself … Making music is actually little else than a matter of invention aided and abetted by emotion. In composing we combine what we know of music with what we feel.
Isaac Goldberg. Tin Pan Alley. New York, John Day, 1930, p. viii.
— George Gershwin
Waiting for inspiration
by
Tags:
Featured Content
Don’t loaf and invite inspiration
Don’t dash off a six-thousand-word story before breakfast. Don’t write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen. Don’t loaf and invite inspiration; light out after it with a club, and if you don’t get it you will none the less get something that looks remarkably like it. […]
Mozart: the myth versus the manWe often focus too much on the myth of Mozart, the myth of the prodigy and the myth of the genius – but as he writes in some of his letters, he often feels totally misunderstood and that people don’t give him credit for all the tireless work which he does. In one letter he […]
Everything affects music making‘”…turning 40 and new fatherhood have other effects: ‘It opens things up emotionally’, he says. ‘I find that my whole perspective on life and my whole emotional range generally has changed. I laugh more easily and cry more easily. And that probably has an impact on the music making in one way or another. Everything […]
Brahms’ ladies choirBrahms formed a Ladies Choir of about fifty singers: “Fix oder Nix” was the motto he coined for them – “Bang up or nothing”; and he promised to write all the music they could sing if they would meet regularly, and always on time. He even drew up a set of humorous rules. “Avertimento” it […]
Your Ways, O Lord, are Love and Truth – Psalm 24 (25)TITLE: Your Ways, O Lord, are Love and Ruth TEXT: Psalm 24 (25):4-9 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano (unison verses) PRODUCT MEDIUM: PDF score and part SAMPLE:
Tchaikovsky and the village childrenTchaikovsky lived in a village Maidanovo. When Tchaikovsky would go for works, he would also be hailed by groups of village children. As Sofya Nikolayevna recalled: “They had discovered the times he went out and, as he always liked to gave them something, sweets or a coin, they used to lie in wait for him.” […]
Rachmaninoff and colourA student of Rachmaninoff, Ruth Slenczynska: was practising one of Rachmaninov’s preludes when he asked her to join him at the window. It was springtime in Paris, and the avenues were lined with mimosa trees laden with fluffy, golden blossoms. “He said: ‘You see that? That’s what you want to bring to your sound – […]
Nick Cave on the creative processWorry less about what you make — that will mostly look after itself, and is to some extent beyond your control, and perhaps even none of your business — and devote yourself to nourishing this animating spirit. Bring all your enthusiasm to bear on the development of that good and essential force. This is done […]
Abstraction VIIITitle: Abstraction VIII Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE:
Music is the real lifeIn modern life electricity plays a great part. Sometimes it is used destructively – sometimes creatively – but there is another power which is like electricity, only far more subtle and penetrating. This power is all-pervading. It is omnipresent. If we understood this power we would know the secret of the magical influence of music. […]
