Johannes Brahms wrote to Clara Schumann. whom he greatly admired: It is from you that I am constantly learning that one cannot obtain vital force out of books, but only out of one’s soul.  One must draw inspiration not from without, but from within. Cited in: Goss, Madeleine & Schauffler, Robert (1943) Brahms The Master. […]

In 1893, Tchaikovsky was awarded an honorary doctorate at Cambridge University. Charles Villiers Stanford was involved organising the occasion. He recalled: “In the spring of 1892 we set on foot the organization of the movement to celebrate the Jubilee of the University Musical Society in 1893. The first step taken was the invitation of Verdi […]

Phrases have their own topography—they move forward with the line but also remain wedded to the ground with each change of harmony, and this is where the battle lies, why each piece of music grapples with its own destructive potential, why beauty is never what it appears to be. — Simon Tedeschi S. Tedeschi, Fugitive, […]

The following advice appeared in the British Journal the Musical Times in January 1879: A young student wishes us to tell him what to do under the following circumstances: He has been carefully educated in music, for which he has considerable aptitude and an intense love; he is an efficient pianist, and knows most of […]

“There is also in this [nineteenth-century romantic] music an extraordinary sense of control over the passage of time; a moment will be held still as if suspended, and then released with a rush. Einstein has told us that time is relative, flexible and elastic; I have noticed these qualities whenever I have tried to play […]

In his book, A Tour in Germany, and some of the Southern Provinces of the Austrian Empire, in 1820, 1821, 1822, published in Edinburgh in 1824, Sir John Russell describes Beethoven in 1821: The neglect of his person which he exhibits gives him a somewhat wild appearance.  His features are strong and prominent; his eye […]

Leonard Bernstein’s children have donated the contents of his main composing studio to Indiana University.   The contents include “Bernstein’s stand-up composing table; a conducting stool that may have been used by Brahms, given as a gift by the Vienna Philharmonic; an electric pencil sharpener; a telephone; an ashtray and disposable lighters; Grammy-nomination plaques; and […]

George Plimpton, a writer and sportsman, asked if he could play in the New York Philharmonic for a month to write about the workings of an orchestra.  Leonard Bernstein assigned him to the percussion section.  The principal percussionist, Walter Rosenberg, recalled his experience: During rehearsals I would lean over and point to where we were […]

An old thing becomes new if you detach it from what usually surrounds it. — Robert Bresson, French filmmaker J. Butler, Star Texts: Image and Performance in Film and Television, Detroit, Wayne State University Press, 1991, p. 170.

Bobby Darin’s 1959 recording of “Mack the Knife” from The Threepenny Opera (Lyrics: Bertolt Brecht; Music: Kurt Weill) not only hit number one on the charts, but was also the first non-R&B pop hit for Atlantic Records and helped establish the label’s future. Source: Creswell, Toby (2005) 1001 Songs: The Great Songs Of All Times. […]