Most of all, I give myself plenty of time to get familiar with the composition, to “grow into” its concepts. The composition “congeals” under your fingers and in your heart; each phrase becomes yours, and the artistic expression, which emanates from the piece, becomes your expression. Artistic intuition also plays an important role, although it is difficult to determine why a particular idea for interpretation seems to be right. You just know. You feel it. Of course, this intuition is being fed by theoretical knowledge, including knowledge about the composer. But the starting point is in the notation. Also, there exists something that is not written down. I am talking here about that space between the notes, where you have more freedom. However, you always need to be aware of the notation, because if you treat this space too liberally, you can make an interpretative mistake and destroy something that should be left intact.
Polish pianist, Rafal Blechanz, in an interview with Bożena U. Zaremba, Chopin Society of Atlanta, http://www.chopinatlanta.org/interviews/RafalBlechacz.html, accessed 25 August 2020.
Rafal Blechacz on interpretation
by
Tags:
Featured Content
A Beethoven fan
In an interview with Beethoven scholar K. E. L. Nohl, Schubert’s friend, Moritz von Schwind revealed that Schubert sold his books so that he could get tickets to the third version of Beethoven’s opera, Fidelio. Ferdinand Luib In an interview with Ferdinand Luib, Anselm Hüttenbrenner stated that Schubert’s favourite works were Beethoven’s Fifth Symphony, Mass […]
Music stirred him“Music had stirred him like that. Music had troubled him many times. But music was not articulate. It was not a new world, but rather another chaos, that it created in us.” – Oscar Wilde, The Picture of Dorian Grey.
Music in the very heart of noiseI frequently hear music in the very heart of noise. — George Gerswhin Goldberg, Isaac, and Garson, Edith. George Gershwin: A Study in American Music. United Kingdom, F. Ungar Publishing Company, 1958, p.139.
Cello and pianoDelius on the role of music“The chief reason for the degeneration of present-day music lies in the fact that people want to get physical sensations from music more than anything else. Emotion is out of date and intellect a bore. Appreciation of art which has been born of profound thought and intensity of experience necessitates an intellectual effort too exhausting […]
Growth by dreamsWe grow great by dreams. All big men are dreamers. They see things in the soft haze of a spring day or in the red fire of a long winter’s evening. Some of us let these great dreams die, but others nourish and protect them, nurse them through bad days till they bring them to […]
The significance of the individual “You are an extremely valuable, worthwhile, significant person even though your present circumstances may have you feeling otherwise.” – James Newmann, American mathematician
Theme from The OfficeThe theme to the comedy series The Office is based on the 1967 song “Handbags and Gladrags” (written by Mike d’Abo). It was arranged by Big George in 2000.
Bacall on imagination“Imagination is the highest kite one can fly.” – Lauren Bacall, American actress Cited at: QuotationsBook
Joyous artArt that feels like a duty is probably bad art. But most of the art industry is geared towards foisting that kind of art on us. Bad art changes over the centuries far less than we think. Today’s theory-heavy video installations are often modern equivalents of pompous and moralising Victorian paintings. It’s the joyous, uninhibited […]
